The Man Who Laughs - Cover

The Man Who Laughs

Copyright© 2025 by Victor Hugo

Chapter 9: HATE IS AS STRONG AS LOVE

Queen Anne had several of these low voices about her. Barkilphedro was one.

Besides the queen, he secretly worked, influenced, and plotted upon Lady Josiana and Lord David. As we have said, he whispered in three ears, one more than Dangeau. Dangeau whispered in but two, in the days when, thrusting himself between Louis XIV., in love with Henrietta, his sister-in-law, and Henrietta, in love with Louis XIV., her brother-in-law, he being Louis’s secretary, without the knowledge of Henrietta, and Henrietta’s without the knowledge of Louis, he wrote the questions and answers of both the love-making marionettes.

Barkilphedro was so cheerful, so accepting, so incapable of taking up the defence of anybody, possessing so little devotion at bottom, so ugly, so mischievous, that it was quite natural that a regal personage should come to be unable to do without him. Once Anne had tasted Barkilphedro she would have no other flatterer. He flattered her as they flattered Louis the Great, by stinging her neighbours. “The king being ignorant,” says Madame de Montchevreuil, “one is obliged to mock at the savants.”

To poison the sting, from time to time, is the acme of art. Nero loves to see Locusta at work.

Royal palaces are very easily entered; these madrepores have a way in soon guessed at, contrived, examined, and scooped out at need by the gnawing thing which is called the courtier. A pretext to enter is sufficient. Barkilphedro, having found this pretext, his position with the queen soon became the same as that with the Duchess Josiana—that of an indispensable domestic animal. A witticism risked one day by him immediately led to his perfect understanding of the queen and how to estimate exactly her kindness of heart. The queen was greatly attached to her Lord Steward, William Cavendish, Duke of Devonshire, who was a great fool. This lord, who had obtained every Oxford degree and did not know how to spell, one fine morning committed the folly of dying. To die is a very imprudent thing at court, for there is then no further restraint in speaking of you. The queen, in the presence of Barkilphedro, lamented the event, finally exclaiming, with a sigh, —

“It is a pity that so many virtues should have been borne and served by so poor an intellect.”

“Dieu veuille avoir son âne!” whispered Barkilphedro, in a low voice, and in French.

The queen smiled. Barkilphedro noted the smile. His conclusion was that biting pleased. Free licence had been given to his spite. From that day he thrust his curiosity everywhere, and his malignity with it. He was given his way, so much was he feared. He who can make the king laugh makes the others tremble. He was a powerful buffoon. Every day he worked his way forward—underground. Barkilphedro became a necessity. Many great people honoured him with their confidence, to the extent of charging him, when they required him, with their disgraceful commissions.

There are wheels within wheels at court. Barkilphedro became the motive power. Have you remarked, in certain mechanisms, the smallness of the motive wheel?

Josiana, in particular, who, as we have explained, made use of Barkilphedro’s talents as a spy, reposed such confidence in him that she had not hesitated to entrust him with one of the master-keys of her apartments, by means of which he was able to enter them at any hour. This excessive licence of insight into private life was in fashion in the seventeenth century. It was called “giving the key.” Josiana had given two of these confidential keys—Lord David had one, Barkilphedro the other. However, to enter straight into a bedchamber was, in the old code of manners, a thing not in the least out of the way. Thence resulted incidents. La Ferté, suddenly drawing back the bed curtains of Mademoiselle Lafont, found inside Sainson, the black musketeer, etc., etc.

Barkilphedro excelled in making the cunning discoveries which place the great in the power of the little. His walk in the dark was winding, soft, clever. Like every perfect spy, he was composed of the inclemency of the executioner and the patience of a micograph. He was a born courtier. Every courtier is a noctambulist. The courtier prowls in the night, which is called power. He carries a dark lantern in his hand. He lights up the spot he wishes, and remains in darkness himself. What he seeks with his lantern is not a man, it is a fool. What he finds is the king.

Kings do not like to see those about them pretend to greatness. Irony aimed at any one except themselves has a charm for them. The talent of Barkilphedro consisted in a perpetual dwarfing of the peers and princes to the advantage of her Majesty’s stature, thus increased in proportion. The master-key held by Barkilphedro was made with two sets of wards, one at each end, so as to open the inner apartments in both Josiana’s favourite residences—Hunkerville House in London, Corleone Lodge at Windsor. These two houses were part of the Clancharlie inheritance. Hunkerville House was close to Oldgate. Oldgate was a gate of London, which was entered by the Harwich road, and on which was displayed a statue of Charles II., with a painted angel on his head, and beneath his feet a carved lion and unicorn. From Hunkerville House, in an easterly wind, you heard the peals of St. Marylebone. Corleone Lodge was a Florentine palace of brick and stone, with a marble colonnade, built on pilework, at Windsor, at the head of the wooden bridge, and having one of the finest courts in England.

In the latter palace, near Windsor Castle, Josiana was within the queen’s reach. Nevertheless, Josiana liked it.

Scarcely anything in appearance, everything in the root, such was the influence of Barkilphedro over the queen. There is nothing more difficult than to drag up these bad grasses of the court—they take a deep root, and offer no hold above the surface. To root out a Roquelaure, a Triboulet, or a Brummel, is almost impossible.

From day to day, and more and more, did the queen take Barkilphedro into her good graces. Sarah Jennings is famous; Barkilphedro is unknown. His existence remains ignored. The name of Barkilphedro has not reached as far as history. All the moles are not caught by the mole-trapper.

Barkilphedro, once a candidate for orders, had studied a little of everything. Skimming all things leaves naught for result. One may be victim of the omnis res scibilis. Having the vessel of the Danaïdes in one’s head is the misfortune of a whole race of learned men, who may be termed the sterile. What Barkilphedro had put into his brain had left it empty.

The mind, like nature, abhors vacuum. Into emptiness nature puts love; the mind often puts hate. Hate occupies.

Hate for hate’s sake exists. Art for art’s sake exists in nature more than is believed. A man hates—he must do something. Gratuitous hate—formidable word! It means hate which is itself its own payment. The bear lives by licking his claws. Not indefinitely, of course. The claws must be revictualled—something must be put under them.

 
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