Chapter 26

A SAILOR A JACK OF ALL TRADES

As I began to learn my sailor duties, and show activity in running aloft, the men, I observed, treated me with a little more consideration, though not at all relaxing in a certain air of professional superiority. For the mere knowing of the names of the ropes, and familiarizing yourself with their places, so that you can lay hold of them in the darkest night; and the loosing and furling of the canvas, and reefing topsails, and hauling braces; all this, though of course forming an indispensable part of a seaman’s vocation, and the business in which he is principally engaged; yet these are things which a beginner of ordinary capacity soon masters, and which are far inferior to many other matters familiar to an “able seaman.”

What did I know, for instance, about striking a top-gallant-mast, and sending it down on deck in a gale of wind? Could I have turned in a dead-eye, or in the approved nautical style have clapt a seizing on the main-stay? What did I know of “passing a gammoning,” “reiving a Burton,” “strapping a shoe-block,” “clearing a foul hawse,” and innumerable other intricacies?

The business of a thorough-bred sailor is a special calling, as much of a regular trade as a carpenter’s or locksmith’s. Indeed, it requires considerably more adroitness, and far more versatility of talent.

In the English merchant service boys serve a long apprenticeship to the sea, of seven years. Most of them first enter the Newcastle colliers, where they see a great deal of severe coasting service. In an old copy of the Letters of Junius, belonging to my father, I remember reading, that coal to supply the city of London could be dug at Blackheath, and sold for one half the price that the people of London then paid for it; but the Government would not suffer the mines to be opened, as it would destroy the great nursery for British seamen.

A thorough sailor must understand much of other avocations. He must be a bit of an embroiderer, to work fanciful collars of hempen lace about the shrouds; he must be something of a weaver, to weave mats of rope-yarns for lashings to the boats; he must have a touch of millinery, so as to tie graceful bows and knots, such as Matthew Walker’s roses, and Turk’s heads; he must be a bit of a musician, in order to sing out at the halyards; he must be a sort of jeweler, to set dead-eyes in the standing rigging; he must be a carpenter, to enable him to make a jurymast out of a yard in case of emergency; he must be a sempstress, to darn and mend the sails; a ropemaker, to twist marline and Spanish foxes; a blacksmith, to make hooks and thimbles for the blocks: in short, he must be a sort of Jack of all trades, in order to master his own. And this, perhaps, in a greater or less degree, is pretty much the case with all things else; for you know nothing till you know all; which is the reason we never know anything.

A sailor, also, in working at the rigging, uses special tools peculiar to his calling—fids, serving-mallets, toggles, prickers, marlingspikes, palms, heavers, and many more. The smaller sort he generally carries with him from ship to ship in a sort of canvas reticule.

The estimation in which a ship’s crew hold the knowledge of such accomplishments as these, is expressed in the phrase they apply to one who is a clever practitioner. To distinguish such a mariner from those who merely “hand, reef, and steer,” that is, run aloft, furl sails, haul ropes, and stand at the wheel, they say he is “a sailor-man” which means that he not only knows how to reef a topsail, but is an artist in the rigging.