William Shakespeare
Copyright© 2025 by Victor Hugo
Chapter 2
Let us add that calumny loses its labour. Then what purpose can it serve? Not even an evil one. Do you know anything more useless than the sting which does not sting?
Better still. This sting is beneficial. In a given time it is found that calumny, envy, and hatred, thinking to labour against, have worked in aid of truth. Their insults bring fame, their blackening makes illustrious. They succeed only in mingling with glory an outcry which increases it.
Let us continue.
So, each of the men of genius tries on in his turn this immense human mask; and such is the strength of the soul which they cause to pass through the mysterious aperture of the eyes, that this look changes the mask, and, from terrible, makes it comic, then pensive, then grieved, then young and smiling, then decrepit, then sensual and gluttonous, then religious, then outrageous; and it is Cain, Job, Atreus, Ajax, Priam, Hecuba, Niobe, Clytemnestra, Nausicaa, Pistoclerus, Grumio, Davus, Pasicompsa, Chimène, Don Arias, Don Diego, Mudarra, Richard III., Lady Macbeth, Desdemona, Juliet, Romeo, Lear, Sancho Panza, Pantagruel, Panurge, Arnolphe, Dandin Sganarelle, Agnes, Rosine, Victorine, Basile, Almaviva, Cherubin, Manfred.
From the direct divine creation proceeds Adam, the prototype. From the indirect divine creation, —that is to say, from the human creation, —proceed other Adams, the types.
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