Italian Hours
Copyright© 2025 by Henry James
CASA ALVISI
Invited to “introduce” certain pages of cordial and faithful reminiscence from another hand,
“Browning in Venice,” being Recollections of the late Katharine De Kay Bronson, with a Prefatory Note by H. J. (Cornhill Magazine, February, 1902).}
in which a frankly predominant presence seems to live again, I undertook that office with an interest inevitably somewhat sad—so passed and gone to-day is so much of the life suggested. Those who fortunately knew Mrs. Bronson will read into her notes still more of it—more of her subject, more of herself too, and of many things—than she gives, and some may well even feel tempted to do for her what she has done here for her distinguished friend. In Venice, during a long period, for many pilgrims, Mrs. Arthur Bronson, originally of New York, was, so far as society, hospitality, a charming personal welcome were concerned, almost in sole possession; she had become there, with time, quite the prime representative of those private amenities which the Anglo-Saxon abroad is apt to miss just in proportion as the place visited is publicly wonderful, and in which he therefore finds a value twice as great as at home. Mrs. Bronson really earned in this way the gratitude of mingled generations and races. She sat for twenty years at the wide mouth, as it were, of the Grand Canal, holding out her hand, with endless good-nature, patience, charity, to all decently accredited petitioners, the incessant troop of those either bewilderedly making or fondly renewing acquaintance with the dazzling city.
{Illustration: CASA ALVISI, VENICE}
Casa Alvisi is directly opposite the high, broad-based florid church of S. Maria della Salute—so directly that from the balcony over the water-entrance your eye, crossing the canal, seems to find the key-hole of the great door right in a line with it; and there was something in this position that for the time made all Venice-lovers think of the genial padrona as thus levying in the most convenient way the toll of curiosity and sympathy. Every one passed, every one was seen to pass, and few were those not seen to stop and to return. The most generous of hostesses died a year ago at Florence; her house knows her no more—it had ceased to do so for some time before her death; and the long, pleased procession—the charmed arrivals, the happy sojourns at anchor, the reluctant departures that made Ca’ Alvisi, as was currently said, a social porto di mare—is, for remembrance and regret, already a possession of ghosts; so that, on the spot, at present, the attention ruefully averts itself from the dear little old faded but once familiarly bright façade, overtaken at last by the comparatively vulgar uses that are doing their best to “paint out” in Venice, right and left, by staring signs and other vulgarities, the immemorial note of distinction. The house, in a city of palaces, was small, but the tenant clung to her perfect, her inclusive position—the one right place that gave her a better command, as it were, than a better house obtained by a harder compromise; not being fond, moreover, of spacious halls and massive treasures, but of compact and familiar rooms, in which her remarkable accumulation of minute and delicate Venetian objects could show. She adored—in the way of the Venetian, to which all her taste addressed itself—the small, the domestic and the exquisite; so that she would have given a Tintoretto or two, I think, without difficulty, for a cabinet of tiny gilded glasses or a dinner-service of the right old silver.
The general receptacle of these multiplied treasures played at any rate, through the years, the part of a friendly private-box at the constant operatic show, a box at the best point of the best tier, with the cushioned ledge of its front raking the whole scene and with its withdrawing rooms behind for more detached conversation; for easy—when not indeed slightly difficult—polyglot talk, artful bibite, artful cigarettes too, straight from the hand of the hostess, who could do all that belonged to a hostess, place people in relation and keep them so, take up and put down the topic, cause delicate tobacco and little gilded glasses to circulate, without ever leaving her sofa-cushions or intermitting her good-nature. She exercised in these conditions, with never a block, as we say in London, in the traffic, with never an admission, an acceptance of the least social complication, her positive genius for easy interest, easy sympathy, easy friendship. It was as if, at last, she had taken the human race at large, quite irrespective of geography, for her neighbours, with neighbourly relations as a matter of course. These things, on her part, had at all events the greater appearance of ease from their having found to their purpose—and as if the very air of Venice produced them—a cluster of forms so light and immediate, so pre-established by picturesque custom. The old bright tradition, the wonderful Venetian legend had appealed to her from the first, closing round her house and her well-plashed water-steps, where the waiting gondolas were thick, quite as if, actually, the ghost of the defunct Carnival—since I have spoken of ghosts—still played some haunting part.
Let me add, at the same time, that Mrs. Bronson’s social facility, which was really her great refuge from importunity, a defence with serious thought and serious feeling quietly cherished behind it, had its discriminations as well as its inveteracies, and that the most marked of all these, perhaps, was her attachment to Robert Browning. Nothing in all her beneficent life had probably made her happier than to have found herself able to minister, each year, with the returning autumn, to his pleasure and comfort. Attached to Ca’ Alvisi, on the land side, is a somewhat melancholy old section of a Giustiniani palace, which she had annexed to her own premises mainly for the purpose of placing it, in comfortable guise, at the service of her friends. She liked, as she professed, when they were the real thing, to have them under her hand; and here succeeded each other, through the years, the company of the privileged and the more closely domesticated, who liked, harmlessly, to distinguish between themselves and outsiders. Among visitors partaking of this pleasant provision Mr. Browning was of course easily first. But I must leave her own pen to show him as her best years knew him. The point was, meanwhile, that if her charity was great even for the outsider, this was by reason of the inner essence of it—her perfect tenderness for Venice, which she always recognised as a link. That was the true principle of fusion, the key to communication. She communicated in proportion—little or much, measuring it as she felt people more responsive or less so; and she expressed herself, or in other words her full affection for the place, only to those who had most of the same sentiment. The rich and interesting form in which she found it in Browning may well be imagined—together with the quite independent quantity of the genial at large that she also found; but I am not sure that his favour was not primarily based on his paid tribute of such things as “Two in a Gondola” and “A Toccata of Galuppi.” He had more ineffaceably than anyone recorded his initiation from of old
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