Crome Yellow
Copyright© 2025 by Aldous Huxley
Chapter 28
Towards sunset the fair itself became quiescent. It was the hour for the dancing to begin. At one side of the village of tents a space had been roped off. Acetylene lamps, hung round it on posts, cast a piercing white light. In one corner sat the band, and, obedient to its scraping and blowing, two or three hundred dancers trampled across the dry ground, wearing away the grass with their booted feet. Round this patch of all but daylight, alive with motion and noise, the night seemed preternaturally dark. Bars of light reached out into it, and every now and then a lonely figure or a couple of lovers, interlaced, would cross the bright shaft, flashing for a moment into visible existence, to disappear again as quickly and surprisingly as they had come.
Denis stood by the entrance of the enclosure, watching the swaying, shuffling crowd. The slow vortex brought the couples round and round again before him, as though he were passing them in review. There was Priscilla, still wearing her queenly toque, still encouraging the villagers—this time by dancing with one of the tenant farmers. There was Lord Moleyn, who had stayed on to the disorganised, passoverish meal that took the place of dinner on this festal day; he one-stepped shamblingly, his bent knees more precariously wobbly than ever, with a terrified village beauty. Mr. Scogan trotted round with another. Mary was in the embrace of a young farmer of heroic proportions; she was looking up at him, talking, as Denis could see, very seriously. What about? he wondered. The Malthusian League, perhaps. Seated in the corner among the band, Jenny was performing wonders of virtuosity upon the drums. Her eyes shone, she smiled to herself. A whole subterranean life seemed to be expressing itself in those loud rat-tats, those long rolls and flourishes of drumming. Looking at her, Denis ruefully remembered the red notebook; he wondered what sort of a figure he was cutting now. But the sight of Anne and Gombauld swimming past—Anne with her eyes almost shut and sleeping, as it were, on the sustaining wings of movement and music—dissipated these preoccupations. Male and female created He them ... There they were, Anne and Gombauld, and a hundred couples more—all stepping harmoniously together to the old tune of Male and Female created He them. But Denis sat apart; he alone lacked his complementary opposite. They were all coupled but he; all but he...
Somebody touched him on the shoulder and he looked up. It was Henry Wimbush.
“I never showed you our oaken drainpipes,” he said. “Some of the ones we dug up are lying quite close to here. Would you like to come and see them?”
Denis got up, and they walked off together into the darkness. The music grew fainter behind them. Some of the higher notes faded out altogether. Jenny’s drumming and the steady sawing of the bass throbbed on, tuneless and meaningless in their ears. Henry Wimbush halted.
“Here we are,” he said, and, taking an electric torch out of his pocket, he cast a dim beam over two or three blackened sections of tree trunk, scooped out into the semblance of pipes, which were lying forlornly in a little depression in the ground.
“Very interesting,” said Denis, with a rather tepid enthusiasm.
They sat down on the grass. A faint white glare, rising from behind a belt of trees, indicated the position of the dancing-floor. The music was nothing but a muffled rhythmic pulse.
“I shall be glad,” said Henry Wimbush, “when this function comes at last to an end.”
“I can believe it.”
“I do not know how it is,” Mr. Wimbush continued, “but the spectacle of numbers of my fellow-creatures in a state of agitation moves in me a certain weariness, rather than any gaiety or excitement. The fact is, they don’t very much interest me. They’re aren’t in my line. You follow me? I could never take much interest, for example, in a collection of postage stamps. Primitives or seventeenth-century books—yes. They are my line. But stamps, no. I don’t know anything about them; they’re not my line. They don’t interest me, they give me no emotion. It’s rather the same with people, I’m afraid. I’m more at home with these pipes.” He jerked his head sideways towards the hollowed logs. “The trouble with the people and events of the present is that you never know anything about them. What do I know of contemporary politics? Nothing. What do I know of the people I see round about me? Nothing. What they think of me or of anything else in the world, what they will do in five minutes’ time, are things I can’t guess at. For all I know, you may suddenly jump up and try to murder me in a moment’s time.”
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