The Fortunes of Perkin Warbeck: a Romance - Cover

The Fortunes of Perkin Warbeck: a Romance

Copyright© 2025 by Mary Wollstonecraft (Godwin) Shelley

Chapter 48

CAPTURE OF KATHERINE

If the dull substance of my flesh were thought,
Injurious distance should not stop my way;
For then, despite of space, I would be brought
To limits far remote, where thou dost stay.

SHAKSPEARE.

There is a terror whose cause is unrevealed even to its victim, which makes the heart beat wildly, and we ask the voiceless thing wherefore; when the beauty of the visible universe sickens the aching sense; when we beseech the winds to comfort us, and we implore the Invisible for relief, which is to speed to us from afar. We endeavour, in our impotent struggle with the sense of coming evil, to soar beyond the imprisoning atmosphere of our own identity; we call upon the stars to speak to us, and would fain believe that mother earth, with inorganic voice, prophesies. Driven on by the mad imaginings of a heart hovering between life and death, we fancy that the visible frame of things is replete with oracles. Or is it true; and do air and earth, divined by the sorrow-tutored spirit, possess true auguries? At such dread hour we are forced to listen and believe: nor can we ever afterwards, in common life, forget our miserable initiation into the mysteries of the unexplained laws of our nature. To one thus aware of the misfortune that awaits her, the voice of consolation is a mockery. Yet, even while she knows that the die is cast, she will not acknowledge her intimate persuasion of ill; but sits smiling on any hope brought to her, as a mother on the physician who talks of recovery while her child dies.

The Lady Katherine had yielded to Richard’s wishes, because she saw that he really desired her absence. Alone in a monastery, in a distant part of Cornwall, she awaited the fatal tidings, which she knew must come at last She was too clear-sighted not to be aware, that the armed power of a mighty kingdom, such as England, must crush at once his ill-organized revolt. She was prepared for, and ready to meet, all the disasters and humiliations of defeat; but not to be absent from her husband at this crisis. She ordered horses to be kept perpetually in readiness, that she might proceed towards him on the first intimation of change and downfall. She watched from the highest tower of her abode, the arrival of messengers: before she dared open her letters, she read in their faces, what news of Richard? It was a bitter pang to hear that Plantagenet was dangerously wounded; that the prince had advanced further forward, at the head of his rabble soldiers.

She had no friends, save humble ones, and very few of these: they borrowed their looks from her, yet hoped more than she did. Quickly she was aware of a change in them: they spoke in a low, subdued voice, as if awe-struck by some visitation of destiny. That very day letters arrived from the prince: they were of ancient date, nor could she lay his terms of endearment and cheering to her heart and be consoled. In the afternoon a torn, soiled billet was brought her from Edmund. In spite of his wound, he had dragged himself as far as Launceston, on his way to her. Forced to stop, he sent her tidings of all he knew—Richard’s mysterious flight, Henry’s bloodless victory, the eagerness the king expressed to learn where she was, and the despatching of troops in search of her. He besought her to fly. It might be hoped that the prince had escaped beyond sea, whither she must hasten; or falling into his enemy’s hands, she would never see him more.

Perplexed and agitated, knowing that dishonour would result from Richard’s strange disappearance, yet persuaded that he had some ulterior view which it behoved her not to thwart, she hesitated what step to take.

An incident occurred to end her uncertainty. Suddenly, in the evening, Monina stood before her. Monina came with the safety-laden Adalid, to bear her to the shores of Burgundy. She brought the history of the fraud practised upon York, of the ambush laid for his life, of his escape, and the arrival, immediately succeeding to hers, of his followers at the Abbey of Beaulieu; how the pawing and trampling of a horse at the gates had brought out the monks, who discovered the hapless prince senseless on the dark sod. He was carried in, and through her care his name was entered in the sanctuary. She had attended on his sick couch two days and nights, when his first return to reason was to implore her to seek Katherine, to carry her beyond Tudor’s power, out of the island prison. Her father’s caravel was hovering on the coast. A favouring south-east wind bore her to these shores: she came at his desire: the Adalid was there, and she might sail, not to Burgundy, but even to the spot which harboured Richard. She also could take sanctuary in Beaulieu.

The monastery in which the duchess of York had taken refuge was situated on St. Michael’s Mount, not far from the Land’s End. The land projects romantically into the sea, forming a little harbour called Mount’s Bay. Towards the land the acclivity is at first gradual, becoming precipitous towards the summit: now, at high water, the tide flows between the rock and the land, but it was in those days connected by a kind of natural, rocky causeway. Towards the sea it is nearly perpendicular. A strong fortress was connected with the church; and a stone lantern was attached to one of the towers of the church. Not far from the castle, in a craggy and almost inaccessible part of the cliff, is situated Saint Michael’s Chair, which, on account of its dangerous approach, and the traditions attached to it, became the resort of the pious. Many a legend belonged to this spot. Its thick woods, the hoar appearance of the crags, the wide-spread sea, for ever warring against the land, which had thrust itself out into the watery space, usurping a part of its empire, made it singularly grand; while the placid beauty of the little bay formed by the rock, and the picturesque grouping of the trees, the straggling paths, and numerous birds, added every softer beauty to the scene.

 
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