The Beetle: a Mystery - Cover

The Beetle: a Mystery

Copyright© 2025 by Richard Marsh

Chapter 7: The Great Paul Lessingham

He was in evening dress. He carried a small portfolio in his left hand. If the discovery of my presence startled him, as it could scarcely have failed to do, he allowed no sign of surprise to escape him. Paul Lessingham’s impenetrability is proverbial. Whether on platforms addressing excited crowds, or in the midst of heated discussion in the House of Commons, all the world knows that his coolness remains unruffled. It is generally understood that he owes his success in the political arena in no slight measure to the adroitness which is born of his invulnerable presence of mind. He gave me a taste of its quality then. Standing in the attitude which has been familiarised to us by caricaturists, his feet apart, his broad shoulders well set back, his handsome head a little advanced, his keen blue eyes having in them something suggestive of a bird of prey considering just when, where, and how to pounce, he regarded me for some seconds in perfect silence, —whether outwardly I flinched I cannot say; inwardly I know I did. When he spoke, it was without moving from where he stood, and in the calm, airy tones in which he might have addressed an acquaintance who had just dropped in.

‘May I ask, sir, to what I am indebted for the pleasure of your company?’

He paused, as if waiting for my answer. When none came, he put his question in another form.

‘Pray, sir, who are you, and on whose invitation do I find you here?’

As I still stood speechless, motionless, meeting his glance without a twitching of an eyebrow, nor a tremor of the hand, I imagine that he began to consider me with an even closer intentness than before. And that the—to say the least of it—peculiarity of my appearance, caused him to suspect that he was face to face with an adventure of a peculiar kind. Whether he took me for a lunatic I cannot certainly say; but, from his manner, I think it possible he did. He began to move towards me from across the room, addressing me with the utmost suavity and courtesy.

‘Be so good as to give me the revolver, and the papers you are holding in your hand.’

As he came on, something entered into me, and forced itself from between my lips, so that I said, in a low, hissing voice, which I vow was never mine,

‘THE BEETLE!’

Whether it was, or was not, owing, in some degree, to a trick of my imagination, I cannot determine, but, as the words were spoken, it seemed to me that the lights went low, so that the place was all in darkness, and I again was filled with the nauseous consciousness of the presence of something evil in the room. But if, in that matter, my abnormally strained imagination played me a trick, there could be no doubt whatever as to the effect which the words had on Mr Lessingham. When the mist of the blackness—real or supposititious—had passed from before my eyes, I found that he had retreated to the extremest limits of the room, and was crouching, his back against the bookshelves, clutching at them, in the attitude of a man who has received a staggering blow, from which, as yet, he has had no opportunity of recovering. A most extraordinary change had taken place in the expression of his face; in his countenance amazement, fear, and horror seemed struggling for the mastery. I was filled with a most discomforting qualm, as I gazed at the frightened figure in front of me, and realised that it was that of the great Paul Lessingham, the god of my political idolatry.

‘Who are you?—In God’s name, who are you?’

His very voice seemed changed; his frenzied, choking accents would hardly have been recognised by either friend or foe.

‘Who are you?—Do you hear me ask, who are you? In the name of God, I bid you say!’

As he perceived that I was still, he began to show a species of excitement which it was unpleasant to witness, especially as he continued to crouch against the bookshelf, as if he was afraid to stand up straight. So far from exhibiting the impassivity for which he was renowned, all the muscles in his face and all the limbs in his body seemed to be in motion at once; he was like a man afflicted with the shivering ague, —his very fingers were twitching aimlessly, as they were stretched out on either side of him, as if seeking for support from the shelves against which he leaned.

‘Where have you come from? what do you want? who sent you here? what concern have you with me? is it necessary that you should come and play these childish tricks with me? why? why?’

The questions came from him with astonishing rapidity. When he saw that I continued silent, they came still faster, mingled with what sounded to me like a stream of inchoate abuse.

‘Why do you stand there in that extraordinary garment, —it’s worse than nakedness, yes, worse than nakedness! For that alone I could have you punished, and I will!—and try to play the fool? Do you think I am a boy to be bamboozled by every bogey a blunderer may try to conjure up? If so, you’re wrong, as whoever sent you might have had sense enough to let you know. If you tell me who you are, and who sent you here, and what it is you want, I will be merciful; if not, the police shall be sent for, and the law shall take its course, —to the bitter end!—I warn you.—Do you hear? You fool! tell me who you are?’

The last words came from him in what was very like a burst of childish fury. He himself seemed conscious, the moment after, that his passion was sadly lacking in dignity, and to be ashamed of it. He drew himself straight up. With a pocket-handkerchief which he took from an inner pocket of his coat, he wiped his lips. Then, clutching it tightly in his hand, he eyed me with a fixedness which, under any other circumstances, I should have found unbearable.

‘Well, sir, is your continued silence part of the business of the rôle you have set yourself to play?’

His tone was firmer, and his bearing more in keeping with his character.

‘If it be so, I presume that I, at least have liberty to speak. When I find a gentleman, even one gifted with your eloquence of silence, playing the part of burglar, I think you will grant that a few words on my part cannot justly be considered to be out of place.’

Again he paused. I could not but feel that he was employing the vehicle of somewhat cumbrous sarcasm to gain time, and to give himself the opportunity of recovering, if the thing was possible, his pristine courage. That, for some cause wholly hidden from me, the mysterious utterance had shaken his nature to its deepest foundations, was made plainer by his endeavour to treat the whole business with a sort of cynical levity.

‘To commence with, may I ask if you have come through London, or through any portion of it, in that costume, —or, rather, in that want of costume? It would seem out of place in a Cairene street, —would it not?—even in the Rue de Rabagas, —was it not the Rue de Rabagas?’

He asked the question with an emphasis the meaning of which was wholly lost on me. What he referred to either then, or in what immediately followed, I, of course, knew no more than the man in the moon, —though I should probably have found great difficulty in convincing him of my ignorance.

‘I take it that you are a reminiscence of the Rue de Rabagas, —that, of course;—is it not of course? The little house with the blue-grey venetians, and the piano with the F sharp missing? Is there still the piano? with the tinny treble, —indeed, the whole atmosphere, was it not tinny?—You agree with me?—I have not forgotten. I am not even afraid to remember, —you perceive it?’

A new idea seemed to strike him, —born, perhaps, of my continued silence.

‘You look English, —is it possible that you are not English? What are you then—French? We shall see!’

 
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