The Joss: a Reversion
Copyright© 2024 by Richard Marsh
Chapter 11: One Way in.
I heard her fumbling with her pocket.
“I can’t find the thing; I had it just now; I can’t have dropped it.”
“Oh, Pollie! Quick! they’re at the wall!”
There was a scraping noise from behind; a muffled whispering. It sounded as if someone was endeavouring to negotiate the obstacle we had just surmounted. Still Pollie was continuing her researches.
“Where can I have put the thing?”
“Can’t you find it? Oh, Pollie!”
Someone was on the wall; had dropped softly to the ground. The sound of his alighting feet was distinctly audible. There was a pause, as if for someone to follow. It was the pause which saved us. As I waited, with my heart actually banging against my ribs, my legs giving way at the knees, expecting every second that someone would come darting at us through the darkness, just in time to save me from toppling in a heap on to the ground Pollie found the key.
“I’ve got it! What did uncle say I was to do with it? Push it against the spot of light—and then? I’ve got it into the keyhole; can’t you remember what uncle said I was to do with it then? It turns round and round.”
“Pollie!—they’re coming!”
They were. There was the sound of advancing footsteps. Approaching forms loomed dimly through the darkness. That same instant Pollie caught the trick of it; the door opened.
“Inside!” she gasped.
I was inside, moving faster than I had ever done in my life before. And Pollie was after me. The door shut behind us, seemingly of its own accord, with a kind of groan.
“That was a near thing!”
It could hardly have been nearer. Whoever was upon our heels had almost effected a simultaneous entrance with ourselves.
“He made a grab at my skirt; I felt his hand!”
But the door had closed so quickly that whoever was there had had no time to make an attempt to keep it open. It was pitch dark within, darker almost than it had been without. Pollie pressed close to my side. The fingers of one of her hands interlaced themselves with mine; she gripped me tighter than she perhaps thought. Her lips were near my ear; she spoke as if she were short of breath.
“There’s a good spring upon that door; it moved a bit too fast for them; it shuts like a rat-trap. Listen!”
There was no need to bid me to do that; already my sense of hearing was on the strain. Someone, apparently, was trying the door; to see if it was really shut; or if it could not be induced to open again.
There were voices in whispered consultation.
“There’s more than one; I wondered if there was more than one.”
“There are three,” I said.
Presently someone struck the door lightly, with the palm of the hand, or with the fist. Then, more forcibly, a rain of blows. Unless I was mistaken, the assault came from more than one pair of hands; it was like an attack made in the impotence of childish passion. The voices were raised, as if they called to us. They were like none which either of us had ever heard before; there was a curious squeakiness about them, as if their natural tone was a falsetto. What they said was gibberish to us; it was uttered in an unknown tongue. The voices ceased. After an interval, during which, one suspected, their owners had withdrawn a step or two to consider the situation, one was raised alone. It had in it a threatening quality, as if it warned us of the pains and penalties we were incurring. The fact that we were being addressed in a language which was, to us, completely strange, seemed at that moment to have about it something dreadful. Audibly, we paid no heed. Only I felt Pollie’s grip growing tighter and tighter. I wondered if she knew that she would crush my fingers if she did not take care.
The single speaker ceased to hurl at us his imprecations. I felt sure it was bad language he was using. All was still.
“What are they doing?”
So close were Pollie’s lips her whispered words tickled my ear. We had not long to wait before the answer came—in the shape of a smashing blow directed against the door.
“They’re trying to break it down; they’ll soon wake up the neighbourhood if they make that noise. Let’s get farther into the house. Why—whatever’s that?”
She had turned. In doing so she had pulled me half round with her. Her words caused me to glance about in the darkness, searching for some new terror. Nor was I long in learning what had caused her exclamation. There, glaring at us through the inky blackness in flaming letters, a foot in length, were the words “TOO LATE!” Beneath them was some hideous creature’s head.
For a second or two, in the first shock of surprise, I imagined it to be the head of some actual man, or, rather, monster. As it gleamed there, with its wide open jaws, huge teeth and flashing eyes, it was like the vivid realisation of some dreadful nightmare. It was as if something of horror, which had haunted us in sleep, had suddenly taken on itself some tangible shape and form. So irresistible was this impression, so unexpected was the shock of discovering it, that I believe, if Pollie had not caught hold of me with both her hands, and held me up, I should have fallen to the floor. As it was I reeled and staggered, so that I daresay it needed all her strength to keep me perpendicular. It was her voice, addressing me in earnest, half angry, expostulation which reassured me—at least in part.
“You goose! Don’t you see that it’s a picture drawn with phosphorus, or luminous paint, or something, on the wall. It won’t bite you; you’re not afraid of a picture, child.”
It was a picture; and, when you came to look into it, not a particularly well-drawn one either. Though I could not understand how we had missed seeing it so soon as we had entered—unless the explanation was that it had only just been put there. And, if that was the case, by whom? and how? A brief inspection was enough to show that the thing was more like one of those masks which boys wear on Guy Fawkes’ day than anything else. It was just as ridiculous, and just as much like anything in heaven or earth.
“Let’s get out of this; let’s go into the house; why do you stop in this horrid place? Where’s the door?”
“That’s the question—Where is it? Uncle Benjamin’s ideas of the proper way of getting in and out of a house are a little too ingenious for me; we seem to be in a sort of entry with nothing but walls all round us. Haven’t you a match? Didn’t you take a box out with you? For goodness sake don’t say you’ve lost it.”
I had not lost it, fortunately for us. I gave it to her. She struck a light. As she did so, the face and the writing on the wall grew dimmer. They were only visible when, standing before the flame, she cast them into shadow.
“Well, this is a pretty state of things, upon my word! There doesn’t seem to be a door!”
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