The Goddess: a Demon - Cover

The Goddess: a Demon

Copyright© 2024 by Richard Marsh

Chapter 6: The Doctor Accuses

I found it impossible to accept the conclusion to which it all pointed. I had locked the door of my bedroom, gone to the wardrobe, taken out that plum-coloured cloak. I had rolled it up as tightly as I could; the blood with which it was soaked, as it dried, had glued the folds together. I had difficulty in tearing it open. An undesirable garment it finally appeared as I spread it out in front of me upon the bed, discoloured, stiff as cardboard, creased with innumerable creases. And the stiffness was horrible. When one reflected with what it had been stiffened, and how, and when, and associated with the reflection that fair-faced girl, with truth in her voice and innocence in her eyes, one wondered.

That she had been in Edwin Lawrence’s room at the very moment when the murder was taking place seemed clear. What had been her errand? What part had she played in the tragedy? Why, instead of giving an alarm, had she sought refuge in flight? In the answer to this latter question would, I felt persuaded, be found the key to the riddle. What she had witnessed had acted on her like a bolt from heaven; the shock of it had robbed her of her senses on the instant. With the scientific term which would describe her condition I was not acquainted; it was some sort of neurosis, involving, at least for the time, the entire loss of memory. If she could only describe what she had witnessed, her innocence would be established.

Such was my personal conviction; but, at present, it was my conviction only. The material evidence pointed the other way. Time pressed; danger threatened. If facts, as they were known to me, became known to others, an eager policeman, anxious to fasten guilt on some one, might arrest her on a capital charge. Apart from the question of contaminating hands, what might not be the effect, on one already in so pitiful a condition, of so hideous an accusation.

That she had witnessed something altogether out of the common way was plain. This had been no ordinary murder; the work of no everyday assassin. The presumption was that, taken wholly by surprise, she had seen enacted in front of her some spectacle of supreme horror; so close had she been standing as to have been actually drenched by the victim’s blood. My vision—if it was a vision—might not have any legal value, but it was full of suggestion for me; and the impression was still strong upon me that some strange creature had been present in the room, by which the crime had been actually committed. I recalled Edgar Allan Poe’s story of “The Murders in the Rue Morgue,” in which the criminal was proved to have been a huge ape; but, though I had no notion what the creature I had really seen was, I was persuaded that it had had nothing in common with any member of the ape family.

In one respect my vision seemed to have fallen short. I had seen Lawrence and his assailant; I had seen the whirling skirts—as, in this connection, I gazed at the plum-coloured cloak, I was conscious of an inward pang—I had heard the woman’s laughter; but, though I had a clear recollection of looking around me, with a view of taking in the entire scene, I had seen no one else. Yet all the evidence went to show that, at any rate, two other persons had been present: my visitor of the night before, and the dead man’s brother.

I will admit at once that I had little belief in the brother’s guilt. I had heard something of Philip Lawrence; and, apart from the known integrity of the man’s character, I could not conceive of any cause which could impel him to the commission of so unnatural a crime. Still, there was Turner’s statement, quite unsuspiciously uttered, that he had seen him go up to his brother, and seen him come down again. As I had said to Hume, he would at least be called upon to explain.

But, as it seemed to me, what I had at present to ascertain was, what had been the nature of the errand which had taken a young girl, at that hour of the night, to Edwin Lawrence’s chambers. And, as it chanced, I immediately came upon something which seemed to throw a light upon the matter. Turning over the cloak, with a view of returning it to its hiding-place—for I was aware that, at any moment, I might be interrupted, and I was resolved, at least until I saw my way more clearly, to keep the existence of so, apparently, criminatory a garment a secret locked in my own breast—I came upon a pocket in the green silk lining. There was something in it, which I took out.

It was an addressed envelope. The writing I instantly recognised; I had seen it on the scraps of paper which Hume had taken out of Lawrence’s waste-paper basket. The envelope had been neither stamped nor posted. The address—it could hardly have been vaguer—was “George Withers, Esq., General Post-office, London.” Without hesitation I tore the envelope open. I had reached a point at which I felt that, at any and every cost, I must get out of the darkness into the light.

The contents of the letter I give verbatim.

“Dear Tom,

“I am going to see that scoundrel to-night. He had better take care, or something will happen to him, of that I am sure. And he will be sure before I have done with him. In any case, I’ll write you at length to-morrow.”

“B.”

Two points struck me about this odd epistle: it contained neither a date nor an address, and, while “George Withers” was on the envelope, the letter itself began “Dear Tom,” the inference being that “George Withers” was an assumed name, to which it had been arranged that communications should be directed. The “B.” of the signature was, I had little doubt, the “Bessie” of the scraps of paper; in which case the “E,” which Mrs. Peddar had discovered on the linen, stood for “Elizabeth.” There still remained the puzzle of the “M.”

The letter had scarcely a reassuring effect. That the “scoundrel” alluded to was Lawrence, and that “to-night” was last night, I thought was probable. If that were so, then it seemed that this young girl had gone to Lawrence with anything but friendly intentions; and it was quite certain that something had happened to him, as she had predicted. One could only hope that it was not the something which she had in her mind’s eye; and that, in any case, she had had no hand in the happening. As a clue to the lady’s identity the letter did not carry one much forwarder.

As I was wondering what was the next step which I should take, a thought occurred to me—the photograph which I had taken from Lawrence’s mantelshelf. I had it in the pocket of my coat. I took it out. It was an excellent likeness; the operator had caught her in a characteristic pose, and made of her a really artistic picture. But it was not with the likeness that I was at that moment concerned. I looked at the back of the portrait, to see by whom it had been taken. There was the name of one of the best London photographers in London. Eureka! the thing was done. I had only to go to the man’s establishment to gain particulars of the original. Surely, when he had been told the circumstances of the case, he would not refuse to let me have them.

Filled with this idea I began to feverishly roll up the plum-coloured cloak. As I did so there came a rapping at the door.

“Who’s there?”

 
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