A Woman of Genius - Cover

A Woman of Genius

Copyright© 2024 by Mary Austin

Chapter 5

Depression, as well as the storm which held on heavily all night and the next day, kept me close, and the state of my coal bin kept me in bed most of the next day. Along late in the afternoon I was aroused from a lethargy of cold and crying, by Leon Griffin tapping at the door to know how I did. The snow by this time had settled down to a blinding drift, and the thermometer had fallen into an incalculable void of cold. Griffin was in his overcoat as though he had just come in or was just going out, though I learned later he had been sitting in it all day in his room. The impression it created of his being in the act of passing, led me to open my door to him, as I otherwise might not have done. A terrible, cold blast came in with him and a clattering of the shutters on the windward wall of the house. Outside, the day was falling dusk; there was no light in the room but the square blank of the window curtained by the sliding screen of snow, and my little stove which glowed like a carbuncle in its corner.

“You’re cozy here”—he put it as an excuse for lingering, for I hadn’t asked him to have a chair—”you hardly feel the wind. On my side there’s a trail of snow half across the room where the wind whips it in between the casings.”

Though he had come ostensibly to offer me a neighbourly attention, he was plainly in need of it himself; it was his last night at the Varieté and, between the storm and the depression of having nothing to turn to, he was coming down with a cold. I had him into my one easy chair and suggested tea.

“I hardly slept any last night,” he apologized over his second cup, “the shutter clacks so.” I could hear it now like the stroke of desolation.

That night when I heard him stamping off the snow in the hall, I had a hot drink for him, but when I saw him, by the rakish light of the hall lamp, wringing his hands with the cold before taking it, I insisted he should come on into my still warm room. I had to turn back first to light my own lamp and, in respect to my being in my dressing gown with my hair in two braids, to slip into my bedroom and experience, as I looked back at him through the crack in the door, the kind of softening a woman has toward a man she has made comfortable. The light of my lamp, which was shaded for reading, like a miniature calcium, brought out for me the frayed edge of his overcoat and all the waste and misuse of him, the kind of faded appeal that sort of man has for a woman; forlorn as he was, as he put the bowl back on the table, I was so much more forlorn myself that I was glad to have been femininely of use to him.

Pauline wrote me to come out and stay with her during the protracted cold spell, but owing to the difficulty in delivery, the invitation failed to reach me until the severity of the weather was abated. In any case I was still too sore at what seemed to me the betrayal of my long confidence, to have been willing to have subjected myself to any reminders of it. And whatever kindness Pauline meant, it could hardly have done so much for me as Leon Griffin did by just needing me. It transpired that he had no stove in his room, and the heat from the register for which we were definitely charged in the rent, scarcely modified the edge of the cold. For the next two or three days we spent much of the time huddled over my stove. Snow ceased to fall on the second day, and nothing moved in our view except now and then the surface of it was flung up by the wind, falling again fountain-Pwise into the waste of the untrampled housetops that stretched from my window to the icy flat of the lake darkening under a dour horizon. Somehow, though I had never been willing to confess to my friends how poor I was, I made no bones of it with Griff, as I had heard Cecelia call him, a name that seemed somehow to suit the inconsequential nature of our relation better than his proper title. We frankly pooled our funds in the matter of food, which one or another of us slipped out to buy, and cooked on my stove. I took an interest in preparing it, such as I hadn’t since the times when I imagined I was helping Tommy on the way to growing rich, and when the room was full of a warm savoury smell and the table pulled out from the wall to make it serve for two, we felt, for the time, restored to the graciousness of living. We fell back on the uses of domesticity, by association providing us with a sense of life going on in orderliness and stability. It came out for me in these moments that it is after all life, that Art needs rather than feeling, and that, to a woman of my capacity, was to be supplied not by innocuous intrigues like Jerry’s but by the normal procedure of living. I believe I felt myself rather of a better stripe, to find it so in the domestic proceeding, though I do not really know that my necessity was any whit superior to Miss Filette’s, except in offering the minimum possibility of making anybody unhappy by it. But because I knew my friends would think it ridiculous that I could lay hold of power again by so inconsiderable a handle as Leon Griffin, I suffered a corroding resentment. Griffin was getting up a new act for himself, and evenings as I helped him with it, I felt a faint stirring of creative power. When he had finished, I would take the shade off the lamp and render scenes for him from my favourite Elizabethan drama; and in the face of his unqualified admiration for me, I could almost act.

Toward the end of the week as the cold abated, Mr. Griffin asked me to see a play in which some of his friends were playing; and Jerry being prodigal of favours, I responded with an invitation to “The Futurist.” I hadn’t mentioned Griff to Sarah, I never more than mentioned him to any of my friends, but I saw no reason why I should not speak of them to him, especially when they were so much upon the public tongue as Sarah was just then.

“Croyden?” he said; “isn’t that an unusual name?” He appeared to be puzzling over it. “I seem to remember a town somewhere by that name.”

“In New York,” I told him. I was on the point of telling him how Sarah came by it, but an impulse of discretion saved me. I had seen “The Futurist” so many times now, that, once at the theatre, I occupied myself with looking at the audience and took no sort of notice of my escort until after Sarah’s entrance near the close of the first act.

“Well?” I laid myself open to compliments for my friend. I was startled by what I saw when I looked at him. He had shrunk away into the corner of his seat farthest from me, like a man whose garment had fallen from him unawares. The stark naked soul of him fed visibly upon her bodily perfection; Sarah’s beauty took men like that sometimes when they were able to see it—there were those who thought her merely nice-looking. I could see his tongue moving about stealthily to wet his dry lips. I couldn’t bear to look at him like that; it seemed a pitiful thing for a man to ache so with the beauty of a woman he had long ceased to deserve; it was as though he had laid bare some secret ache in me.

Coming out of the theatre he surprised me with a knowledge of Sarah’s affairs. He knew that she had begun with O’Farrell.

“I played with him myself,” he admitted; “that was before Miss—Miss——”

“Croyden,” I supplied; “that was the town she came from; I shouldn’t have told you except that you seem to know.”

“I was expecting another name. Wasn’t she—wasn’t she married once? A fellow by the name of Lawrence.”

“Oh, well, you may call it married. He was a cur.”

“You can’t tell me anything about him worse than I know myself.” From the earnestness of his tone I judged that he had suffered something at the hands of Lawrence. “But I’ll say this for him, he didn’t stay with the other woman; she followed him and found him, but he wouldn’t stay with her.”

“I don’t see that that proves anything except that he was the greater scoundrel. The other woman was his wife.”

“It proves that he loved Miss Croyden best—that he couldn’t bear the other woman after her.” I thought it was no use matching ethical ideals with him and I let the matter drop. It came back to me next day that if he had been with O’Farrell in Lawrence’s time, he might have known something of the other Shamrocks. I meant to ask him about it in the morning, but put it off as I observed that the recollection of it seemed to have stirred him past the point of being able to sleep. He was pale in the morning, and the rings under his eyes stood out plainly; he had the whipped look of a man who has been so long accused of misdemeanour that he comes at last to believe he has done it. I could see the impulse to confess hovering over him, and the hope that I might find in his misbehaviours the excusing clue which he was vaguely aware must be there, but couldn’t himself lay hands on. I suppose souls in the Pit must have movements like that—seeking in one another the extenuations they can’t admit to themselves.

We didn’t, however, strike the note of confidence until it was evening. Griffin kept up the form of looking for an engagement, which occupied his morning hours, and in the afternoon Jerry came in to see how I had come through the cold spell, and to win my interest with his wife to consent to his going as far as St. Louis with “The Futurist.” I forget what reasons he had for thinking it advisable, except that they were all more or less complicated with Miss Filette.

“But, heavens, Jerry, haven’t you ever heard of the freemasonry of women? How can you think my sympathies wouldn’t be with your wife? Especially in her condition.”

“It’s only for a week; and, you know, except for her fussing, she is perfectly well. And look here, Olivia, you know exactly why I have to have—other things; why I can’t just settle down to being—the plain head of the family.” His tone was accusing.

“I know why you think you have to. Honest, Jerry, is it so imperative as all that?”

“Honest to God, Olivia, unless I’m ... interested ... I can’t write a word.” His glance travelling over my dull little room and makeshift furniture, the cheap kerosene lamp, the broken hinge of the stove. “You ought to know,” he drove it home to me. I felt myself involved by my toleration of Griffin in a queer kind of complicity.

“What do you want me to do?”

“Tell her you think it is to the advantage of the play for me to be there in St. Louis for the opening. It’s always good for an interview, and that’s advertising.” After all I suppose I wouldn’t have done it if I hadn’t found his wife in a wrapper at four o’clock in the afternoon, when I went out there. If she wouldn’t make any better fight for herself, who was I to fight for her? And as Jerry said, for him to be with the play, meant advertising.

I talked it over with Griffin that evening, as we sat humped over my tiny stove before the lamps were lighted. Outside we could see the roofs huddling together with the cold, and far beyond, the thin line of the lake beaten white with the wind in a fury of self-tormenting. It made me think of poor little Mrs. Gerald under the lash of her husband’s vagaries.

“I can’t help think that she’d feel it less if she made less fuss about it,” I protested. Griffin shook his head.

“It’s a mercy she can do that; it’s when you can’t do anything it eats into you.”

I reflected. “There was a woman I knew who looked like that. O’Farrell’s leading lady; she was jealous and there was nothing she could do. She looked gnawed upon!”

“Miss Dean, you mean?”

 
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