The Quest of the Simple Life - Cover

The Quest of the Simple Life

Copyright© 2025 by W. J. Dawson

Chapter 8: Buying Happiness

We are all children, and in nothing so much perhaps as in the kind of delight we take in any form of building. The architectural efforts of a child with a box of bricks or a heap of sand explain the Tower of Babel, the Pyramids, and the Golden House of Nero. House-building unites the ideal with the real more thoroughly than any other human employment. What can there be more delightful than to see that which you have dreamed grow into tangible and enduring form? No wonder the rich man builds himself ‘a lordly pleasure-house’; it is a kind of practical poetry which he can understand. Were there only millionaires enough to go round all architects would be wealthy, for building is a kind of material art admirably suited to men of material intelligence.

The weeks which followed the acquisition of my two deserted cottages were the most delightful I have ever spent. First of all, there was the question of structural alterations to be considered. In my opinion the living-room of the house is the chief consideration. It should be a room to live in, the focus of the whole life of the household. For this reason it should be large and airy, covering the whole site of the house as nearly as possible. One large room is infinitely to be preferred to two or three small rooms; it is healthier, and much more cheerful. Space and air are most needed in the room which is most in use. It is of no consequence that the bedrooms should be small; one’s active hours are not spent in them, and a window left wide open summer and winter will provide an ample supply of oxygen in the smallest chamber. What can be more absurd than the arrangement of a modern London villa? It is usually cut up by partition walls into a number of small rooms, not more than one of which is in constant use. Pretension takes the place of comfort. Mrs. Grundy must have a ‘drawing-room’ or die! It is a kind of holiest of holies, too beautiful for normal occupation, full of gimcrack chairs that cannot be sat upon, and decorative futilities which give it the aspect of a miscellaneous stall at a ‘rummage sale.’ Such a room is very well as a withdrawing-room, its proper use; but as a room into which no one withdraws it is absurd. As I expected to keep no company, and needed no room into which to withdraw, I was able to get rid of this apartment. Moreover, in a very small house, common sense demanded that every room should be really and thoroughly used.

Fortunately the fireplaces of my two cottages were against the outer or gable ends, and not against the partition wall, as is commonly the case. I had only to remove this partition wall, supporting the ceiling by a strong beam, and I had a room about twenty-four long by fifteen in breadth. At the back of this room were two small kitchens, only one of which was needed. By widening the doorway leading to one of them to double its breadth, I gained another room about ten feet square. This made my library, by which I mean not a room in which I ever sat, but a room entirely devoted to the housing of my books. I had the walls entirely lined with books, making and staining the bookshelves with my own hands. Across the widened doorway from which the door had been removed hung a warm curtain, so that it was to all intents and purposes a part of my living-room. I took infinite and almost childish delight in the arrangement of this living-room. I had brought not a single article of domestic furniture with me from London. Such furniture as I had—chairs, tables, couch, sideboard, and so forth—would have looked out of place in the country, and moreover it was better economy to sell them. I sold them very well in a London auction-room, getting almost as much as they cost me. With the money thus received in my pocket I went to a neighbouring market town where there happened to be a shop that dealt in old furniture. For less than ten pounds I bought an excellent oaken gate-table, half a dozen serviceable oak chairs, a couple of fine carved chests, and a corner cupboard. My oak dresser and settle, each good specimens of serviceable cottage furniture, cost me thirty-seven shillings at a country auction. I found that even at these modest prices I had paid too much. Oaken furniture was common in these parts, and had little value. When a church was restored, or an old house re-constructed, large quantities of old oak were literally thrown away. Thus, at a merely nominal expense I acquired enough carved oak to fit together into a handsome fireplace, and later on the pews of a church came in for oak panelling.

Let me now picture my living-room as it was about four months after I took possession. It was entirely oak panelled to a height of nine feet, above which about a foot of white-washed wall showed, forming a plain frieze. The fireplace at one end of the room was built in with carved oak; what had been the corresponding fireplace at the other end of the room was turned into a cupboard, with plain oak doors. The room had three old-fashioned leaded windows opening outward. Two were original, one had been added—the centre window taking the place of the gap left by the destroyed partition wall. My oak chests, dresser and cupboard, constituted the furniture of the room. The library, curtained off with a plain curtain of crimson plush, adjoined; the kitchen door opened at the east corner of the room. The windows faced due south. The room therefore was always sunny. The floor-boards were stained, and covered by two or three cheap rugs. Flowers were at the windows, a vase of flowers always on the table. The fireplace was open, for I had removed the ugly modern grate, substituting for it a low hearth of red brick with iron dogs, on which wood could be burned. This room, with the adjoining library, was the great feature of my little house.

The other rooms in the house required no alteration; fresh whitewash and wall-papers soon transformed them; and although they were small, they were not devoid of charm. When my scheme of adaptation was complete I found myself possessed of a house containing one beautiful living-room, a small library, a kitchen, and four good bedrooms. My bill for labour, including the mason’s work in the removal of the partition wall, the building of a new window, and the laying of a fresh hearth; the carpenter’s work in fitting my oak, and various minor repairs, amounted in all to about twelve pounds. The cost of my furniture, including the oak panelling in the living-room, and all that was needed for the bedrooms, was about fifty pounds, against which I had to set thirty-eight pounds, received from the sale of my superfluous effects in London. If I added to these sums the general expenses of removal, the carriage and cartage of my goods, and so forth, which I reckoned at ten pounds, I found that the cost of my exodus and new tenancy had been as follows:—

L. s. d.
By expenses of removal... 10 0 0
By alterations and labour... 12 0 0
By cost of furniture for living-room
and four bedrooms... 50 0 0


L72 0 0
Against which, by sale of goods in
London... 38 0 0


Leaving total outlay of ... L34 0 0


I am conscious that to a townsman, accustomed to the wastefulness of towns, some parts of this account must appear incredible. Take, for instance, the bill for labour. No one has ever lived in London without having occasion to complain of the dearness and badness of labour. The chief object of the town artisan is to do as little work as possible. He is absolutely without conscience in his work, and all that he does is slovenly. He surveys a job, and meditates upon it for an hour—at your expense; begins it, and goes away to fetch a tool that he has forgotten—the time of his absence being duly charged against you; procrastinates and dawdles; sits down to read the paper, if no one watches him; and in one way and another takes quite twice as long over a job as is needed, and then does it badly. When I first became a householder in London I naturally sent to some neighbouring employer of labour for any little jobs of carpentering and plumbing that needed to be done. I soon had to relinquish the practice. If a new latch were put upon a window, the screws were driven into the old holes, so that in a week the latch was off again. If the plumber effected one repair he invariably left some damage that made it necessary to recall him before the month was out. There are houses in London which must be as good as an annuity to local tradesmen; I believe the workmen are instructed to do their work so badly that it is never really done. I soon found it wise to learn how to do repairs for myself; and it was by doing them myself that I discovered how I had been victimised by the rapacity, dishonesty, and inefficiency of the British workman and his master.

But in the country things are different. The village workman has honest pride in his reputation, and in his work. Moreover, he can turn his hand to anything, he does not grudge his time, and he is not corrupted by the contiguity of the public-house. The man who did my masonry work for me was a grey-haired, silent, pertinacious fellow, of great practical intelligence and efficiency. He did not work rapidly, but all that he did was thoroughly done. The carpenter was a man of the same type. He took a genuine delight in fitting my oak to its new uses, and had ideas of his own, which were often ingenious, and always practical. He even had a true artistic sense; uncultivated for want of education, but real. I understood the extraordinary skill of mediaeval craftsmen through my association with this man. The pieces of exquisite carved oak which find their way into museums to-day were wrought by men such as he was; quiet, thoughtful men, residing in villages, who developed their artistic sense in solitude. I am quite sure that this man thought a great deal more of his work than of the money he earned by it. At all events he charged me astonishingly little. He refused a contract, evidently regarding it as implying suspicions of his honesty. ‘I’ll charge ye what’s fair,’ he said, ‘and you and me’ll not quarrel as to the price.’ If my bill for labour was so moderate that it seems absurd to a townsman, it was because I had to deal with honest craftsmen, who brought not only efficiency and handiness to their work, but a high sense of honour, and a real intelligence and interest.

 
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