Chapter 5: The Magic Night

Coming home one night along the Lonsdale Road, Arthur found Hilary Vickars standing at his garden gate, taking the air. It was June, that most exquisite of all months in London, when the perfume of summer finds its way into the narrowest streets, and the imprisoned people thrill with a new sense of freedom and deliverance. In the soft twilight even Lonsdale Road was touched with the idyllic; its impudence of newness was concealed under a faint wash of mauve, and its tiny gardens were fresh with the scent of mown grass.

Hilary Vickars himself seemed softened with the hour; when he spoke to Arthur there was a new kindness in his voice. Perhaps he could not have explained his mood; few of us can explain these sudden softenings that come to us, sometimes through the influence of external things, sometimes from the welling up in us of founts of tenderness which we had thought for ever sealed. A gust of wind among the trees, a bird’s song in the dusk, a girl’s voice at her piano, in its first fresh, unrestrained sweetness—who of us cannot recall how things as slight as these have had a strange power to provoke some crisis of emotion, which perhaps has coloured all our after-life? Hilary Vickars had been listening that night to his daughter as she sang. She had sung a song her mother had been fond of, and in the mind of the widowed man all the past had leapt into agonised distinctness. And from that he had passed to the perception of the daughter’s likeness to her mother, and to the pathos of her youth. Her voice yet lingered in the air, as he stole out of the room, and stood bareheaded at the garden gate. And then he saw Arthur coming up the road, and as his eye rested on the slim, graceful figure he again realised this infinite pathos of youth.

“He wants help, and I ought to help him,” was his instant thought.

Hitherto a kind of pride had imposed a barrier of reserve between himself and Arthur. He had seen him as a rich man’s son, the member of a class for which he had only scorn and anger. But now he saw him simply as a youth launching his frail bark upon the perilous sea of life, and he loved him. So Nature wrought within him, using his softened mood for her own ends, and with Nature came Destiny, casting the first threads of her inscrutable design upon the loom of life.

He held his hand with a lingering pressure, and then said, as if obeying a resolve imposed upon his own will rather than suggested by it, “Won’t you come in?”

He led the way into the house, and Arthur followed with a glad alacrity.

The narrow hall-way opened upon a room at the back of the house, which served both as living-room and library. The only light in the room came from two candles on the piano brackets. Between them sat a young girl, her fingers still upon the keys, her face, rayed with the nimbus of the candlelight, turned upward with a charming air of expectation and surprise.

She was not beautiful, judged by the canons of exacting art; yet there was no artist who could have been indifferent to her, for she possessed an element of charm much more rare than beauty. The hair, dark and abundant, was very simply dressed above a low white forehead; the face was beautifully moulded, and expressed a delicate fatigue; the mouth, too large for beauty, was mobile and eager; the eyes were a stag’s eyes, brown and full and limpid. It was in these that her charm was concentrated. They held depth beyond depth, eyes into which the gaze sank, fathomless as water in a well.

She rose as her father and his guest entered the room.

“My daughter, Elizabeth,” he said.

She bowed, and turned toward Arthur the regard of her unfathomable eyes. Arthur stood transfixed. For a long moment his gaze clung to hers, and a new, strange, pleasurable heat thrilled his blood. A subtle, undecipherable telegraphy was in that clinging gaze. It was as though soul challenged soul; the citadel of sentience in each awoke to sudden life, and quivered at the shock of contact, with an emotion half alarm and half delight. Then the veil fell between them, and the soul of each receded into secrecy.

It was a relief to each when Vickars lit the gas, and began to speak in accents of conventional courtesy.

“This is my work-room,” he said.

And indeed the room told its own tale. Bookshelves, closely packed, covered each wall; the books lay in heaps upon the floor; and in their midst stood a wide table piled with manuscripts, proofs, and notebooks. There was not a single picture in the room, not an ornament of any kind. Near the window stood a typewriter and a small table, and on the other side of the window the piano.

“I suppose there are few rooms in London that know more about brain-toil than this room—that is, if rooms can receive impressions, as I sometimes think they can,” he continued. “Certainly none in Lonsdale Road,” he added with a smile. “Ah! that reminds me of a story. When I first came to live here, there was the greatest curiosity to know what I did for a living. Lonsdale Road could not account for any man who did not go to the city every day, and therefore refused to accept his credentials of respectability. I never knew how far this aversion went till one day our little servant told us with tears that she must leave us. It took a long time to draw from her her reason. You would never guess it. At last she said, ‘Mother say she thinks you are a burglar.’ And then I found that our neighbours had actually woven this ingenious romance about us, and I am not sure that they have discarded it even yet.”