While the Billy Boils
Copyright© 2024 by Henry Lawson
In a Dry Season
Draw a wire fence and a few ragged gums, and add some scattered sheep running away from the train. Then you’ll have the bush all along the New South Wales western line from Bathurst on.
The railway towns consist of a public house and a general store, with a square tank and a school-house on piles in the nearer distance. The tank stands at the end of the school and is not many times smaller than the building itself. It is safe to call the pub “The Railway Hotel,” and the store “The Railway Stores,” with an “s.” A couple of patient, ungroomed hacks are probably standing outside the pub, while their masters are inside having a drink—several drinks. Also it’s safe to draw a sundowner sitting listlessly on a bench on the veranda, reading the Bulletin. The Railway Stores seem to exist only in the shadow of the pub, and it is impossible to conceive either as being independent of the other. There is sometimes a small, oblong weather-board building—unpainted, and generally leaning in one of the eight possible directions, and perhaps with a twist in another—which, from its half-obliterated sign, seems to have started as a rival to the Railway Stores; but the shutters are up and the place empty.
The only town I saw that differed much from the above consisted of a box-bark humpy with a clay chimney, and a woman standing at the door throwing out the wash-up water.
By way of variety, the artist might make a water-colour sketch of a fettler’s tent on the line, with a billy hanging over the fire in front, and three fettlers standing round filling their pipes.
Slop sac suits, red faces, and old-fashioned, flat-brimmed hats, with wire round the brims, begin to drop into the train on the other side of Bathurst; and here and there a hat with three inches of crape round the crown, which perhaps signifies death in the family at some remote date, and perhaps doesn’t. Sometimes, I believe, it only means grease under the band. I notice that when a bushman puts crape round his hat he generally leaves it there till the hat wears out, or another friend dies. In the latter case, he buys a new piece of crape. This outward sign of bereavement usually has a jolly red face beneath it. Death is about the only cheerful thing in the bush.
We crossed the Macquarie—a narrow, muddy gutter with a dog swimming across, and three goats interested.
A little farther on we saw the first sundowner. He carried a Royal Alfred, and had a billy in one hand and a stick in the other. He was dressed in a tail-coat turned yellow, a print shirt, and a pair of moleskin trousers, with big square calico patches on the knees; and his old straw hat was covered with calico. Suddenly he slipped his swag, dropped his billy, and ran forward, boldly flourishing the stick. I thought that he was mad, and was about to attack the train, but he wasn’t; he was only killing a snake. I didn’t have time to see whether he cooked the snake or not—perhaps he only thought of Adam.
Somebody told me that the country was very dry on the other side of Nevertire. It is. I wouldn’t like to sit down on it any where. The least horrible spot in the bush, in a dry season, is where the bush isn’t—where it has been cleared away and a green crop is trying to grow. They talk of settling people on the land! Better settle in it. I’d rather settle on the water; at least, until some gigantic system of irrigation is perfected in the West.
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