Enter Mitchell

The Western train had just arrived at Redfern railway station with a lot of ordinary passengers and one swagman.

He was short, and stout, and bow-legged, and freckled, and sandy. He had red hair and small, twinkling, grey eyes, and—what often goes with such things—the expression of a born comedian. He was dressed in a ragged, well-washed print shirt, an old black waistcoat with a calico back, a pair of cloudy moleskins patched at the knees and held up by a plaited greenhide belt buckled loosely round his hips, a pair of well-worn, fuzzy blucher boots, and a soft felt hat, green with age, and with no brim worth mentioning, and no crown to speak of. He swung a swag on to the platform, shouldered it, pulled out a billy and water-bag, and then went to a dog-box in the brake van.

Five minutes later he appeared on the edge of the cab platform, with an anxious-looking cattle-dog crouching against his legs, and one end of the chain in his hand. He eased down the swag against a post, turned his face to the city, tilted his hat forward, and scratched the well-developed back of his head with a little finger. He seemed undecided what track to take.