An Eagle Flight
Copyright© 2024 by José Rizal
Crisóstomo Ibarra.
One was the original of the portrait in oil, and he led by the hand a young man in deep black. “Good evening, señores; good evening, fathers,” said Captain Tiago, kissing the hands of the priests, “I have the honor of presenting to you Don Crisóstomo Ibarra.”
At the name of Ibarra there were smothered exclamations. The lieutenant, forgetting to salute the master of the house, surveyed the young man from head to foot. Brother Dámaso seemed petrified. The arrival was evidently unexpected. Señor Ibarra exchanged the usual phrases with members of the group. Nothing marked him from other guests save his black attire. His fine height, his manner, his movements, denoted sane and vigorous youth. His face, frank and engaging, of a rich brown, and lightly furrowed—trace of Spanish blood—was rosy from a sojourn in the north.
“Ah!” he cried, surprised and delighted, “my father’s old friend, Brother Dámaso!”
All eyes turned toward the Franciscan, who did not stir.
“Pardon,” said Ibarra, puzzled. “I am mistaken.”
“You are not mistaken,” said the priest at last, in an odd voice; “but your father was not my friend.”
Ibarra, astonished, drew slowly back the hand he had offered, and turned to find himself facing the lieutenant, whose eyes had never left him.
“Young man, are you the son of Don Rafael Ibarra?”
Crisóstomo bowed.
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