Christopher and Columbus - Cover

Christopher and Columbus

Copyright© 2024 by Elizabeth Von Arnim

Chapter 25

That evening, while the twins were undressing, a message came up from the office that the manager would be obliged if the Miss Twinklers’ canary wouldn’t sing.

“But it can’t help it,” said Anna-Felicitas through the crack of door she held open; she was already in her nightgown. “You wouldn’t either if you were a canary,” she added, reasoning with the messenger.

“It’s just got to help it,” said he.

“But why shouldn’t it sing?”

“Complaints.”

“But it always has sung.”

“That is so. And it has sung once too often. It’s unpopular in this hotel, that canary of yours. It’s just got to rest a while. Take it easy. Sit quiet on its perch and think.”

“But it won’t sit quiet and think.”

“Well, I’ve told you,” he said, going away.

This was the bird that had been seen arriving at the Cosmopolitan about a week before by the lawyer, and it had piercingly sung ever since. It sang, that is, as long as there was any light, real or artificial, to sing by. The boy who carried it from the shop for the twins said its cage was to be hung in a window in the sun, or it couldn’t do itself justice. But electric light also enabled it to do itself justice, the twins discovered, and if they sat up late the canary sat up late too, singing as loudly and as mechanically as if it hadn’t been a real canary at all, but something clever and American with a machine inside it.

Secretly the twins didn’t like it. Shocked at its loud behaviour, they had very soon agreed that it was no lady, but Anna-Rose was determined to have it at The Open Arms because of her conviction that no house showing the trail of a woman’s hand was without a canary. That, and a workbag. She bought them both the same day. The workbag didn’t matter, because it kept quiet; but the canary was a very big, very yellow bird, much bigger and yellower than the frailer canaries of a more exhausted civilization, and quite incapable, unless it was pitch dark, of keeping quiet for a minute. Evidently, as Anna-Felicitas said, it had a great many lungs. Her idea of lungs, in spite of her time among them and similar objects at a hospital, was what it had always been: that they were things like pink macaroni strung across a frame of bones on the principle of a lyre or harp, and producing noises. She thought the canary had unusual numbers of these pink strings, and all of them of the biggest and dearest kind of macaroni.

The other guests at the Cosmopolitan had been rather restive from the first on account of this bird, but felt so indulgent toward its owners, those cute little relations or charges or whatever they were of Teapot Twist’s, that they bore its singing without complaint. But on the evening of the day the Annas had the interesting conversation with Mr. and Mrs. Ridding and Miss Heap, two definite complaints were lodged in the office, and one was from Mrs. Ridding and the other was from Miss Heap.

The manager, as has been said, was already sensitive about the canary. Its cage was straining his electric light cord, and its food, assiduously administered in quantities exceeding its capacity, littered the expensive pink pile carpet. He therefore lent a ready ear and sent up a peremptory message; and while the message was going up, Miss Heap, who had come herself with her complaint, stayed on discussing the Twist and Twinkler party.

She said nothing really; she merely asked questions; and not one of the questions, now they were put to him, did the manager find he could answer. No doubt everything was all right. Everybody knew about Mr. Twist, and it wasn’t likely he would choose an hotel of so high a class to stay in if his relations to the Miss Twinklers were anything but regular. And a lady companion, he understood, was joining the party shortly; and besides, there was the house being got ready, a permanent place of residence he gathered, in which the party would settle down, and experience had taught him that genuine illicitness was never permanent. Still, the manager himself hadn’t really cared about the Twinklers since the canary came. He could fill the hotel very easily, and there was no need to accommodate people who spoilt carpets. Also, the moment the least doubt or question arose among his guests, all of whom he knew and most of whom came back regularly every year, as to the social or moral status of any new arrivals, then those arrivals must go. Miss Heap evidently had doubts. Her standard, it is true, was the almost impossibly high one of the unmarried lady of riper years, but Mrs. Ridding, he understood, had doubts too; and once doubts started in an hotel he knew from experience that they ran through it like measles. The time had come for him to act.

Next morning, therefore, he briskly appeared in Mr. Twist’s room as he was pulling on his boots, and cheerfully hoped he was bearing in mind what he had been told the day he took the rooms, that they were engaged for the date of the month now arrived at.

Mr. Twist paused with a boot half on. “I’m not bearing it in mind,” he said, “because you didn’t tell me.”

“Oh yes I did, Mr. Twist,” said the manager briskly. “It isn’t likely I’d make a mistake about that. The rooms are taken every year for this date by the same people. Mrs. Hart of Boston has this one, and Mr. and Mrs.—”

Mr. Twist heard no more. He finished lacing his boots in silence. What he had been so much afraid of had happened: he and the twins had got under a cloud.

The twins had been saying things. Last night they told him they had made some friends. He had been uneasy at that, and questioned them. But it appeared they had talked chiefly of their Uncle Arthur. Well, damnable as Uncle Arthur was as a man he was safe enough as a topic of conversation. He was English. He was known to people in America like the Delloggs and the Sacks. But it was now clear they must have said things besides that. Probably they had expatiated on Uncle Arthur from some point of view undesirable to American ears. The American ear was very susceptible. He hadn’t been born in New England without becoming aware of that.

Mr. Twist tied his bootlaces with such annoyance that he got them into knots. He ought never to have come with the Annas to a big hotel. Yet lodgings would have been worse. Why hadn’t that white-haired gasbag, Mrs. Bilton—Mr. Twist’s thoughts were sometimes unjust—joined them sooner? Why had that shirker Dellogg died? He got his bootlaces hopelessly into knots.

“I’d like to start right in getting the rooms fixed up, Mr. Twist,” said the manager pleasantly. “Mrs. Hart of Boston is very—”

“See here,” said Mr. Twist, straightening himself and turning the full light of his big spectacles on to him, “I don’t care a curse for Mrs. Hart of Boston.”

The manager expressed regret that Mr. Twist should connect a curse with a lady. It wasn’t American to do that. Mrs. Hart—

“Damn Mrs. Hart,” said Mr. Twist, who had become full-bodied of speech while in France, and when he was goaded let it all out.

The manager went away. And so, two hours later, did Mr. Twist and the twins.

“I don’t know what you’ve been saying,” he said in an extremely exasperated voice, as he sat opposite them in the taxi with their grips, considerably added to and crowned by the canary who was singing, piled up round him.

“Saying?” echoed the twins, their eyes very round.

“But whatever it was you’d have done better to say something else. Confound that bird. Doesn’t it ever stop screeching?”

It was the twins, however, who were confounded. So much confounded by what they considered his unjust severity that they didn’t attempt to defend themselves, but sat looking at him with proud hurt eyes.

By this time they both had become very fond of Mr. Twist, and accordingly he was able to hurt them. Anna-Rose, indeed, was so fond of him that she actually thought him handsome. She had boldly said so to the astonished Anna-Felicitas about a week before; and when Anna-Felicitas was silent, being unable to agree, Anna-Rose had heatedly explained that there was handsomeness, and there was the higher handsomeness, and that that was the one Mr. Twist had. It was infinitely better than mere handsomeness, said Anna-Rose—curly hair and a straight nose and the rest of the silly stuff—because it was real and lasting; and it was real and lasting because it lay in the play of the features and not in their exact position and shape.

Anna-Felicitas couldn’t see that Mr. Twist’s features played. She looked at him now in the taxi while he angrily stared out of the window, and even though he was evidently greatly stirred his features weren’t playing. She didn’t particularly want them to play. She was fond of and trusted Mr. Twist, and would never even have thought whether he had features or not ii Anna-Rose hadn’t taken lately to talking so much about them. And she couldn’t help remembering how this very Christopher, so voluble now on the higher handsomeness, had said on board the St. Luke when first commenting on Mr. Twist that God must have got tired of making him by the time his head was reached. Well, Christopher had always been an idealist. When she was eleven she had violently loved the coachman. Anna-Felicitas hadn’t ever violently loved anybody yet, and seeing Anna-Rose like this now about Mr. Twist made her wonder when she too was going to begin. Surely it was time. She hoped her inability to begin wasn’t perhaps because she had no heart. Still, she couldn’t begin if she didn’t see anybody to begin on.

She sat silent in the taxi, with Christopher equally silent beside her, both of them observing Mr. Twist through lowered eyelashes. Anna-Rose watched him with hurt and anxious eyes like a devoted dog who has been kicked without cause. Anna-Felicitas watched him in a more detached spirit. She had a real affection for him, but it was not, she was sure and rather regretted, an affection that would ever be likely to get the better of her reason. It wasn’t because he was so old, of course, she thought, for one could love the oldest people, beginning with that standard example of age, the liebe Gott; it was because she liked him so much.

 
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