Brenda's Cousin at Radcliffe: a Story for Girls
Copyright© 2024 by Helen Leah Reed
Chapter 14: In Disguise
“Learned Sophomores! full of information,
‘Yes, we know it all,’ your manner seems to say.
Learned Sophomores! In each generation,
Sophomores will be Sophomores in the same old way.”
Thus under her breath Clarissa, from her seat in the Auditorium, hummed a strain from a Radcliffe song. Girls were gathering in the room to witness an Idler play.
“Sometime,” said Clarissa, “I’ll be a Senior, and have a front seat. But if you can’t have the first, the fifth row isn’t so very bad.”
While waiting for the play to begin, the girls in Clarissa’s neighborhood chatted gaily. The play had attracted many of the Alumnæ, because it was the work of a Radcliffe girl who had been out of college a year or two. They waited a little impatiently, for the Auditorium was really overcrowded, with girls sitting on the steps and leaning on the ledges of the windows leading into the conversation room.
“Oh, I do wish that they would begin!”
“Why can’t girls ever do anything on time? It is so uncomfortable sitting in this stuffy room!”
These and other murmurs came from various parts of the Auditorium. It was certainly much past the hour, and yet the curtain did not rise. At last the President came forward. “I must ask your indulgence,” she said, as she stood in front of the curtain. “Something has gone wrong with the curtain, we cannot raise it; but while we are waiting for a carpenter, Miss Harmon has kindly consented to read.” At this there was much applause, for Annabel had a well-trained voice, and sufficient self-confidence to make whatever she did very effective. Accordingly, she came forward attired in a white muslin gown, pale blue sash, and a leghorn hat lined with blue. She was to wear the costume in the play, and no one could deny that it was most becoming. Annabel read in a plaintive tone. She read old ballads and modern love songs, two of each, and the audience applauded most heartily. Then she tried a bolder flight, a dramatic monologue, and still her hearers were enthusiastic. She bowed her thanks, smiled, and then a movement of the curtain was seen. Annabel stood there unconscious of anything but the audience before her. There was a vigorous clapping of hands from a distant corner.
“Why, that sounds like a man, doesn’t it?” said a girl behind Julia, leaning over toward her. Just then a huge bunch of carnations fell at Annabel’s feet with a heavy thud, as if thrown by some one used to handling missiles. Again Annabel smiled and courtesied, and again the audience applauded, with one pair of hands sounding louder than the rest.
Clarissa looked at her watch, and closed the cover with a snap.
“It wouldn’t be a bad idea to have the play begin; we didn’t come to a reading.”
The Idler President again appeared in front of the curtain and said something to Annabel. The latter, smiling pleasantly, opened a book. The curtain rose behind her, with the stage set for the play; but she began to read again, slowly and with great expression, while in the background the heads of various girls were seen peering from behind the scenes, evidently impatient for Annabel to stop.
Some of the audience, with a sense of the ridiculous, began to laugh, but Annabel was unconscious of everything but the applause. She stood as if waiting an encore.
“Is it a wonder,” whispered Julia to Clarissa, “that she got the Class Presidency? I believe that she hypnotizes people.”
“Ah, she reads like—like—a bird,” said Clarissa magnanimously.
“You couldn’t honestly say ‘like an angel,’” said Julia, and Clarissa shook her head.
How long this unpremeditated performance might have continued no one can say. Before Annabel could recite again the President came forward, announcing firmly that the play was to begin. On Annabel’s face as she withdrew there was a decidedly aggrieved expression. Nevertheless, when she appeared in the play she looked as cheerful as her wont, and said her lines in a melodious voice. Ruth was a middle-aged Englishwoman, with a becoming lace cap. The girl who played a man’s part wore high boots and a long drab coat, the skirts of which came below the tops of her boots.
The setting was good, the dialogue bright, and the audience at last dispersed with the feeling that the whole performance had been a great success.
“Who was that tall girl who passed us?” asked Julia, when the play was over.
“I am sure I do not know, at least I did not notice her.”
“I always feel,” Julia continued, “as if all the Alumnæ are acquainted. But I can see that it would be hard for them all to know one another. The girl that I speak of was tall and rather awkward, and she pushed her way through the crowd without speaking to a soul.”
“Oh, she may have been a friend of some one in the play. Each was allowed to invite a guest from outside. Somebody told me that Annabel Harmon thought that they might have been permitted to ask men.”
“Yes, because she thought that she would look particularly fetching. For a sensible girl, she is certainly almost as vain as they make them.”
“What is the objection to men spectators? The costumes are harmless enough, compared with what they were in my day,” said the graduate.
“Only that it’s against the rule,” replied a Junior. “But in your day the girls who played men’s parts used to wear real clothes, didn’t they?”
“Yes, real clothes,” and all laughed at the undergraduate’s slip.
“Yes, men’s real clothes,” the graduate added, “borrowed usually from some brother or cousin at the University. Really, some girls made up wonderfully like Harvard men.”
“I should like to have seen them. I hate our present stage dress for men; it is neither ancient nor modern.”
“Yet it’s very proper!” interposed Clarissa sarcastically. She had just joined the group.
“But why was manly attire given up? Since only girls saw the plays, it couldn’t have done any great harm.”
“Oh, it was a man who spoiled it all, you know; they deserve their reputation of marplots. I can’t vouch for the story, but they say that a Senior who came once to an Open Idler thought it necessary to express his gratification to some one in authority.”
“No one could find fault with that.”
“No, but he was awkward. ‘I’m delighted to be here,’ he said, ‘for I’ve often hoped to visit Radcliffe. My clothes have been here many times at the Idler dramatics, but this is the first opportunity that I have had for coming myself.’”
“What a stupid creature!”
“Well, it seems he had a sister in Radcliffe who was in the habit of borrowing his clothes. He had a rather small and neat figure, and a large wardrobe, so that he could be drawn upon for almost any kind of dress. The rule, however, was made immediately after this speech of his that men’s costumes were not to be worn at our performances, and great was the lamentation.”
“It isn’t as bad as it used to be,” said another; “we can wear a kind of man’s dress now, provided that the coat has a skirt effect. It isn’t exactly an up-to-date costume, but it is fairly picturesque.”
“And to think,” interposed Clarissa, in a tragic tone, “that at the Pudding plays, or indeed at the Cercle Française, or anything else at Harvard, the boys can put on ballet costumes or any dress that a woman might or mightn’t wear.”
“There’s no equality of rights, even in so frivolous a thing as theatricals,” cried one of the girls in mock sorrow. “Why, Polly, why are you so late? You’ve missed some fun.”
“I’m sorry, but I had to go to the City this afternoon. I suppose the play was fun. But I’ve just seen something quite as funny,” and Polly began to smile at the remembrance.
“Oh, tell us, Polly, for if there is anything funny to be seen, you are sure to see it.”
“Well, I met a girl at the head of Garden Street smoking a big meerschaum pipe.”
“That isn’t funny, it’s pathetic!”
“She must have been ashamed, for when she saw me she tried to put the pipe in her pocket.”
“How ridiculous!”
“Then she couldn’t find the pocket, and so she started to put the pipe back in her mouth. It was clear that either she wasn’t used to pipes—or to dresses.”
“Why, Polly!”
“So I asked Frank Everton, who was with me—no, he hadn’t been in town with me, I only met him in the Square—I asked him to follow her into the college grounds. She crossed the street at a trot when she saw us coming, and it seemed to me that she was making for Weld Hall.”
All the girls in the group were now thoroughly interested.
“Consequently I stood at the corner of Appian Way until Frank came back with his report, and—”
Here Polly paused to note the effect of her words.
“Well, well, what was it?” asked the impatient listeners.
“Well, it was Loring Bradshaw. Frank followed him to his room, where he tore off his skirts. He had forgotten that he was masquerading as a woman when he lit his pipe. You see it was in the pocket of the waistcoat which he wore beneath his cape. I had recognized him almost immediately; you know he has a funny little scar under his eye, and then that manly stride! Even in Cambridge you wouldn’t see a girl with a gait like that.”
“But why was he parading in woman’s clothes? Was it a college bet?”
“Oh, I haven’t heard the whole story yet. Frank came back in a hurry because he had left me standing there.”
“What kind of a hat did he wear?” asked Julia with interest. “Was it large and drooping, with yellow roses?”
“The very hat. But I never knew you to take so much interest in a mere hat!”
“And was the cape a black one, with a chenille collar?”
“Yes, I think so.”
“Then he was here at the play. I wondered who she was. But why in the world did he do it?”
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