Chapter 20: A Love-Letter

Some beautiful days followed, so beautiful to Grizel that as they passed away she kissed her hand to them. Do you see her standing on tiptoe to see the last of them? They lit a fire in the chamber of her soul which is the home of all pure maids, and the fagots that warmed Grizel were every fond look that had been on her lover’s face and every sweet word he had let fall. She counted and fondled them, and pretended that one was lost that she might hug it more than all the others when it was found. To sit by that fire was almost better than having the days that lit it; sometimes she could scarcely wait for the day to go.

Tommy’s fond looks and sweet words! There was also a letter in those days, and, now that I remember, a little garnet ring; and there were a few other fagots, but all so trifling it must seem incredible to you that they could have made so great a blaze—nothing else in it, on my honour, except a girl’s heart added by herself that the fire might burn a moment longer.

And now, what so chilly as the fire that has gone out! Gone out long ago, dear Grizel, while you crouched over it. You may put your hand in the ashes; they will not burn you now. Ah, Grizel, why do you sit there in the cold?

The day of the letter! It began in dread, but ended so joyfully, do you think Grizel grudged the dread? It became dear to her; she loved to return to it and gaze at the joy it glorified, as one sees the sunshine from a murky room. When she heard the postman’s knock she was not even curious; so few letters came to her, she thought this must be Maggy Ann’s monthly one from Aberdeen, and went on placidly dusting. At last she lifted it from the floor, for it had been slipped beneath the door, and then Grizel was standing in her little lobby, panting as if at the end of a race. The letter lay in both her hands, and they rose slowly until they were pressed against her breast.

She uttered some faint cries (it was the only moment in which I have known Grizel to be hysterical), and then she ran to her room and locked herself in—herself and it. Do you know why that look of elation had come suddenly to her face? It was because he had not even written the address in a disguised hand to deceive the postmistress. So much of the old Grizel was gone that the pathos of her elation over this was lost to her.

Several times she almost opened it. Why did she pause? why had that frightened look come into her eyes? She put the letter on her table and drew away from it. If she took a step nearer, her hands went behind her back as if saying, “Grizel, don’t ask us to open it; we are afraid.”

Perhaps it really did say the dear things that love writes. Perhaps it was aghast at the way she was treating it. Dear letter! Her mouth smiled to it, but her hands remained afraid. As she stood irresolute, smiling, and afraid, she was a little like her mother. I have put off as long as possible saying that Grizel was ever like her mother. The Painted Lady had never got any letters while she was in Thrums, but she looked wistfully at those of other people. “They are so pretty,” she had said; “but don’t open them: when you open them they break your heart.” Grizel remembered what her mother had said.

Had the old Grizel feared what might be inside, it would have made her open the letter more quickly. Two minds to one person were unendurable to her. But she seemed to be a coward now. It was pitiable.

Perhaps it was quite a common little letter, beginning “Dear Grizel,” and saying nothing more delicious or more terrible than that he wanted her to lend him one of the doctor’s books. She thought of a score of trivialities it might be about; but the letter was still unopened when David Gemmell called to talk over some cases in which he required her counsel. He found her sitting listlessly, something in her lap which she at once concealed. She failed to follow his arguments, and he went away puckering his brows, some of the old doctor’s sayings about her ringing loud in his ears.

One of them was: “Things will be far wrong with Grizel when she is able to sit idle with her hands in her lap.”

Another: “She is almost pitifully straightforward, man. Everything that is in Grizel must out. She can hide nothing.”

Yet how cunningly she had concealed what was in her hands. Cunning applied to Grizel! David shuddered. He thought of Tommy, and shut his mouth tight. He could do this easily. Tommy could not do it without feeling breathless. They were types of two kinds of men.

David also remembered a promise he had given McQueen, and wondered, as he had wondered a good deal of late, whether the time had come to keep it.

But Grizel sat on with her unopened letter. She was to meet Tommy presently on the croquet lawn of the Dovecot, when Ailie was to play Mr. James (the champion), and she decided that she must wait till then. She would know what sort of letter it was the moment she saw his face. And then! She pressed her hands together.

Oh, how base of her to doubt him! She said it to herself then and often afterwards. She looked mournfully in her mother’s long mirror at this disloyal Grizel, as if the capacity to doubt him was the saddest of all the changes that had come to her. He had been so true yesterday; oh, how could she tremble to-day? Beautiful yesterday! but yesterday may seem so long ago. How little a time had passed between the moment when she was greeting him joyously in Caddam Wood and that cry of the heart, “How could you hurt your Grizel so!” No, she could not open her letter. She could kiss it, but she could not open it.

Foolish fears! for before she had shaken hands with Tommy in Mrs. McLean’s garden she knew he loved her still, and that the letter proved it. She was properly punished, yet surely in excess, for when she might have been reading her first love-letter, she had to join in discussions with various ladies about Berlin wool and the like, and to applaud the prowess of Mr. James with the loathly croquet mallet. It seemed quite a long time before Tommy could get a private word with her. Then he began about the letter at once.

“You are not angry with me for writing it?” he asked anxiously. “I should not have done it; I had no right: but such a desire to do it came over me, I had to; it was such a glory to me to say in writing what you are to me.”

She smiled happily. Oh, exquisite day! “I have so long wanted to have a letter from you,” she said. “I have almost wished you would go away for a little time, so that I might have a letter from you.”

He had guessed this. He had written to give her delight.

“Did you like the first words of it, Grizel?” he asked eagerly.

The lover and the artist spoke together.

Could she admit that the letter was unopened, and why? Oh, the pain to him! She nodded assent. It was not really an untruth, she told herself. She did like them—oh, how she liked them, though she did not know what they were!

“I nearly began ‘My beloved,’” he said solemnly.

Somehow she had expected it to be this. “Why didn’t you?” she asked, a little disappointed.

“I like the other so much better,” he replied. “To write it was so delicious to me, I thought you would not mind.”