The Golden Helmet

For centuries, more than can be counted on the fingers of both hands, the maidens and mothers of Friesland have worn a helmet of gold covering the crown and back of their heads, and with golden rosettes at each ear. It marks the Frisian girl or woman. She is thus known by this head-dress as belonging to a glorious country, that has never been conquered and is proudly called Free Frisia. It is a relic of the age of gold, when this precious metal was used in a thousand forms, not seen to-day.

Of how and why the golden helmet is worn, this is the story:

In days gone by, when forests covered the land and bears and wolves were plentiful, there were no churches in Friesland. The people were pagans and all worshipped Woden, whom the Frisians called Fos-i-te’. Certain trees were sacred to him. When a baby was ill, or grown people had a disease, which medicine could not help, they laid the sick one at the foot of the holy tree, hoping for health soon to come. But, should the patient die under the tree, then the sorrowful friends were made glad, if the leaves of the tree fell upon the corpse. It was death to any person who touched the sacred tree with an axe, or made kindling wood, even of its branches.

Now among the wild people of the north, who ate acorns and were clothed in the skins of animals, there came, from the Christian lands of the south, a singer with his harp. Invited to the royal court, he sang sweet songs. To these the king’s daughter listened with delight, until the tears, first of sorrow and then of joy, rolled down her lovely cheeks.

This maiden was the pride of her father, because of her sweet temper and willing spirit, while all the people boasted of her beauty. Her eyes were of the color of a sky without clouds. No spring flower could equal the pink and rose in her cheeks. Her lips were like the red coral, which the ship men brought from distant shores. Her long tresses rivalled gold in their glory. And, because her father worshipped Fos-i-té’, the god of justice, and his daughter was always so fair to all her playmates, he, in his pride of her, gave her the name Fos-te-dí’-na, that is, the darling of Fos-i-té’, or the Lady of Justice.

The singer from the south sang a new song, and when he played upon his harp his music was apt to be soft and low; sometimes sad, even, and often appealing. It was so much finer, and oh! so different, from what the glee men and harpers in the king’s court usually rendered for the listening warriors. Instead of being about fighting and battle, or the hunting of wolves and bears, of stags and the aurochs, it was of healing the sick and helping the weak. In place of battles and the exploits of war lords, in fighting and killing Danes, the harper’s whole story was of other things and about gentle people. He sang neither of war, nor of the chase, nor of fighting gods, nor of the storm maidens, that carry up to the sky, and into the hall of Woden, the souls of the slain on the battlefield. The singer sang of the loving Father in Heaven, who sent his dear Son to earth to live and die, that men might be saved. He made music with voice and instrument about love, and hope, and kindness to the sick and poor, of charity to widows and to orphans, and about the delights of doing good. He closed by telling the story of the crown of thorns, how wicked men nailed this good prophet to a cross, and how, when tender-hearted women wept, the Holy Teacher told them not to weep for him, but for themselves and their children. This mighty lord of noble thoughts and words lived what he taught. He showed greatness in the hour of death, by first remembering his mother, and then by forgiving his enemies.