Chapter 21: The Writer of History

Steeped in the ancestral lore of New England, a student of the origins of this country, a reader of, and thinker upon, the records of the past, having seen history in its making, and, as it were, in the very furnace and crucibles of war, having traversed the globe along the line of its highest civilizations, having watched at the cradle of our own nobler empire in the great West, Carleton determined to write for the young people of this nation the story of liberty, and of liberty’s highest expression, “The American People and Their Government.”

It was not a sudden impulse that came to him, it was no accident, but the result of a deliberate purpose. Opportunity and leisure now made the way perfectly clear. He had long been of the opinion that the events of history might be presented vividly to the youthful mind in a series of pictures. He would portray the experiences of individuals whom the reader has been led to regard as persons, and not merely parts of an army, a church, and a government. He believed this was a better method, with young readers at least, than that usually followed by the majority of writers of history. To form his style, he read and re-read the very best English authors. He studied Burke especially, and ascribed to him the strongest single literary influence he had known. Years afterwards, when (like the swords of the Japanese steel-smiths, Muramasa and Sanémori, which never would rest quietly in their scabbards, but always kept flying out) Carleton’s books were nearly always usefully absent from the shelves, the librarian at Dover, New Hampshire, in surprise made criticism to his face of Carleton’s own statement about Burke. She remarked to him that she had not thought of Burke as a model for a person intending to write fiction, —referring, doubtless, to “Winning His Way,” and “Caleb Krinkle.”

Carleton replied that the strong, fine style of the British author gave him the best possible lesson in presenting a subject. “Whether writing fiction or fact, if the author wished to make and retain an impression on the mind of his reader, let him study Burke.” At a particular time, as the chief librarian of a large public library told him, Carleton’s books were more largely read than those of any living writer in the world.

“Caleb Krinkle” is a story of American life in which the characters, the habits of thought, and the rich details of daily routine are given with minuteness, accuracy of observation, and genuine sympathy. The landscape is that of New Hampshire, but the outlook is far beyond, for the author’s purpose is to sow broadcast the seeds of true dignity, manliness, and republicanism. The hero is a good one, but of no uncommon type.

The young Yankee finds the battle of life hard, but also fights it bravely, and, in good time, conquers. The secondary actor, Dan Dishaway, is a wholly original character, a tin peddler with little education and unpolished manners, but with a loyal heart, and a simple, unconscious character that impressed and influenced the whole village. The teacher of teachers, to him, was his mother. The very foundation of the story is the value of human character, apart from the accidents of birth or position. The plot develops rapidly, and is illustrated by exciting incidents of river freshets, shipwreck on one of the great lakes, and a prairie fire. Love is shown to be no respecter of persons, but is found faithful, pure, and delicate, in people who never heard of cosmic philosophy, or the term “altruism,” who knew not the classics, who went sadly astray in grammar. Without direct preaching, the story shows that the way of the transgressor is hard, and that the hardness is not lessened by worldly prosperity.

The critic quickly notices, however, that Carleton is not so successful in his pictures of city life as those of the country. Nevertheless, in modern days, when the population of Boston consists not of people born there, but chiefly of newcomers from the country, from Canada, or from Europe, Carleton was all the more a helper. An American who has mastered French, even though not perfect in pronunciation, may be a better teacher of it than a native.

Bertha Wayland’s success in society, and her Boston life, made a very attractive portion of the book to a large number of readers at rural firesides. For who in New England, and still young, does not hope some day to live in sight of the golden dome? In later years, “Caleb Krinkle” was republished, with some revision and in much handsomer form, as “Dan of Millbrook,” by Estes and Lauriat, of Boston.

His next work, which still remains the most popular of all, the one least likely to suffer by the lapse of time, and the last probably to reach oblivion, because it appeals to young Americans in the whole nation, is his “Boys of ‘76.” The first lore to which Carleton listened after his infant lips had learned prayer, and “line upon line, and precept upon precept,” from the Bible, was from his soldier grandfathers. These around the open fireplace told the story of Revolutionary marches, and camps, and battles. Nothing could be more real to the open-eyed little boy than the narratives related by the actors themselves, especially when he could ask questions, and get full light and explanation.

For an author who would write on the beginnings of the Revolution, no part of our country is so rich in historic sites, and so superbly equipped with libraries, museums, relics, and memorials, as the valley of the Charles River, in Massachusetts. In this region lies Boston, where not the first, though nearly the first, blood of the Revolution was shed; where were hung for Paul Revere the lantern-beacons; which was first the base of operations against Bunker Hill; and which afterward suffered siege, and served as the outlet for the Tories to Canada, when Howe and his fleet sailed away. Across the river is the battle-road to Lexington, now nobly marked with monumental stones and tablets, and, further on, Lexington itself, with its blood-consecrated green and inscribed boulder, its museum, and its well-marked historic spots. Beyond is Concord, with its bridge, well-site, and bronze minuteman. From the crest of the green mound on Bunker Hill, at Charlestown, rises the granite monument seen from all the country round. Near to Boston, is Cambridge with its university, Washington’s elm, and manifold Revolutionary memories; while on the southeast, on the rising ground close at hand, and now part of the municipality itself, are Dorchester Heights, once fortified and bristling with cannon. Within easy reach by rail, water, or wheel, are places already magnetic to the tourist and traveller, because their reputations have been richly enlarged by poet, artist, romancer, and historian. Along the coast, or slightly inland, stood the humble homes of the ancestors of Grant and Lincoln, and but a little further to the southeast is the “holy ground” of Plymouth.