The Social Cancer
Copyright© 2024 by José Rizal
Chapter 40: Right and Might
Ten o’clock at night: the last rockets rose lazily in the dark sky where a few paper balloons recently inflated with smoke and hot air still glimmered like new stars. Some of those adorned with fireworks took fire, threatening all the houses, so there might be seen on the ridges of the roofs men armed with pails of water and long poles with pieces of cloth on the ends. Their black silhouettes stood out in the vague clearness of the air like phantoms that had descended from space to witness the rejoicings of men. Many pieces of fireworks of fantastic shapes—wheels, castles, bulls, carabaos—had been set off, surpassing in beauty and grandeur anything ever before seen by the inhabitants of San Diego.
Now the people were moving in crowds toward the plaza to attend the theater for the last time, Here and there might be seen Bengal lights fantastically illuminating the merry groups while the boys were availing themselves of torches to hunt in the grass for unexploded bombs and other remnants that could still be used. But soon the music gave the signal and all abandoned the open places.
The great stage was brilliantly illuminated. Thousands of lights surrounded the posts, hung from the roof, or sowed the floor with pyramidal clusters. An alguazil was looking after these, and when he came forward to attend to them the crowd shouted at him and whistled, “There he is! there he is!”
In front of the curtain the orchestra players were tuning their instruments and playing preludes of airs. Behind them was the space spoken of by the correspondent in his letter, where the leading citizens of the town, the Spaniards, and the rich visitors occupied rows of chairs. The general public, the nameless rabble, filled up the rest of the place, some of them bringing benches on their shoulders not so much for seats as to make, up for their lack of stature. This provoked noisy protests on the part of the benchless, so the offenders got down at once; but before long they were up again as if nothing had happened.
Goings and comings, cries, exclamations, bursts of laughter, a serpent-cracker turned loose, a firecracker set off—all contributed to swell the uproar. Here a bench had a leg broken off and the people fell to the ground amid the laughter of the crowd. They were visitors who had come from afar to observe and now found themselves the observed. Over there they quarreled and disputed over a seat, a little farther on was heard the noise of breaking glass; it was Andeng carrying refreshments and drinks, holding the wide tray carefully with both hands, but by chance she had met her sweetheart, who tried to take advantage of the situation.
The teniente-mayor, Don Filipo, presided over the show, as the gobernadorcillo was fond of monte. He was talking with old Tasio. “What can I do? The alcalde was unwilling to accept my resignation. ‘Don’t you feel strong enough to attend to your duties?’ he asked me.”
“How did you answer him?”
“‘Señor Alcalde,’ I answered, ‘the strength of a teniente-mayor, however insignificant it may be, is like all other authority it emanates from higher spheres. The King himself receives his strength from the people and the people theirs from God. That is exactly what I lack, Señor Alcalde.’ But he did not care to listen to me, telling me that we would talk about it after the fiesta.”
“Then may God help you!” said the old man, starting away.
“Don’t you want to see the show?”
“Thanks, no! For dreams and nonsense I am sufficient unto myself,” the Sage answered with a sarcastic smile. “But now I think of it, has your attention never been drawn to the character of our people? Peaceful, yet fond of warlike shows and bloody fights; democratic, yet adoring emperors, kings, and princes; irreligious, yet impoverishing itself by costly religious pageants. Our women have gentle natures yet go wild with joy when a princess flourishes a lance. Do you know to what it is due? Well—”
The arrival of Maria Clara and her friends put an end to this conversation. Don Filipo met them and ushered them to their seats. Behind them came the curate with another Franciscan and some Spaniards. Following the priests were a number of the townsmen who make it their business to escort the friars. “May God reward them also in the next life,” muttered old Tasio as he went away.
The play began with Chananay and Marianito in Crispino é la comare. All now had their eyes and ears turned to the stage, all but one: Padre Salvi, who seemed to have gone there for no other purpose than that of watching Maria Clara, whose sadness gave to her beauty an air so ideal and interesting that it was easy to understand how she might be looked upon with rapture. But the eyes of the Franciscan, deeply hidden in their sunken sockets, spoke nothing of rapture. In that gloomy gaze was to be read something desperately sad—with such eyes Cain might have gazed from afar on the Paradise whose delights his mother pictured to him!
The first scene was over when Ibarra entered. His appearance caused a murmur, and attention was fixed on him and the curate. But the young man seemed not to notice anything as he greeted Maria Clara and her friends in a natural way and took a seat beside them.
The only one who spoke to him was Sinang. “Did you see the fireworks?” she asked.
“No, little friend, I had to go with the Captain-General.”
“Well, that’s a shame! The curate was with us and told us stories of the damned—can you imagine it!—to fill us with fear so that we might not enjoy ourselves—can you imagine it!”
The curate arose and approached Don Filipo, with whom he began an animated conversation. The former spoke in a nervous manner, the latter in a low, measured voice.
“I’m sorry that I can’t please your Reverence,” said Don Filipo, “but Señor Ibarra is one of the heaviest contributors and has a right to be here as long as he doesn’t disturb the peace.”
“But isn’t it disturbing the peace to scandalize good Christians? It’s letting a wolf enter the fold. You will answer for this to God and the authorities!”
“I always answer for the actions that spring from my own will, Padre,” replied Don Filipo with a slight bow. “But my little authority does not empower me to mix in religious affairs. Those who wish to avoid contact with him need not talk to him. Señor Ibarra forces himself on no one.”
“But it’s giving opportunity for danger, and he who loves danger perishes in it.”
“I don’t see any danger, Padre. The alcalde and the Captain-General, my superior officers, have been talking with him all the afternoon and it’s not for me to teach them a lesson.”
“If you don’t put him out of here, we’ll leave.”
“I’m very sorry, but I can’t put any one out of here.” The curate repented of his threat, but it was too late to retract, so he made a sign to his companion, who arose with regret, and the two went out together. The persons attached to them followed their example, casting looks of hatred at Ibarra.
The murmurs and whispers increased. A number of people approached the young man and said to him, “We’re with you, don’t take any notice of them.”
“Whom do you mean by them?” Ibarra asked in surprise.
“Those who’ve just left to avoid contact with you.”
“Left to avoid contact with me?”
“Yes, they say that you’re excommunicated.”
“Excommunicated?” The astonished youth did not know what to say. He looked about him and saw that Maria Clara was hiding her face behind her fan. “But is it possible?” he exclaimed finally. “Are we still in the Dark Ages? So—”
He approached the young women and said with a change of tone, “Excuse me, I’ve forgotten an engagement. I’ll be back to see you home.”
“Stay!” Sinang said to him. “Yeyeng is going to dance La Calandria. She dances divinely.”
“I can’t, little friend, but I’ll be back.” The uproar increased.
To read the complete story you need to be logged in:
Log In or
Register for a Free account
(Why register?)
* Allows you 3 stories to read in 24 hours.