The Reign of Greed
Copyright© 2024 by José Rizal
Chapter 39: Conclusion
In his solitary retreat on the shore of the sea, whose mobile surface was visible through the open, windows, extending outward until it mingled with the horizon, Padre Florentino was relieving the monotony by playing on his harmonium sad and melancholy tunes, to which the sonorous roar of the surf and the sighing of the treetops of the neighboring wood served as accompaniments. Notes long, full, mournful as a prayer, yet still vigorous, escaped from the old instrument. Padre Florentino, who was an accomplished musician, was improvising, and, as he was alone, gave free rein to the sadness in his heart.
For the truth was that the old man was very sad. His good friend, Don Tiburcio de Espadaña, had just left him, fleeing from the persecution of his wife. That morning he had received a note from the lieutenant of the Civil Guard, which ran thus:
MY DEAR CHAPLAIN, —I have just received from the commandant a telegram that says, “Spaniard hidden house Padre Florentino capture forward alive dead.” As the telegram is quite explicit, warn your friend not to be there when I come to arrest him at eight tonight.
Affectionately,
PEREZ
Burn this note.
“T-that V-victorina!” Don Tiburcio had stammered. “S-she’s c-capable of having me s-shot!”
Padre Florentino was unable to reassure him. Vainly he pointed out to him that the word cojera should have read cogerá,1 and that the hidden Spaniard could not be Don Tiburcio, but the jeweler Simoun, who two days before had arrived, wounded and a fugitive, begging for shelter. But Don Tiburcio would not be convinced—cojera was his own lameness, his personal description, and it was an intrigue of Victorina’s to get him back alive or dead, as Isagani had written from Manila. So the poor Ulysses had left the priest’s house to conceal himself in the hut of a woodcutter.
No doubt was entertained by Padre Florentino that the Spaniard wanted was the jeweler Simoun, who had arrived mysteriously, himself carrying the jewel-chest, bleeding, morose, and exhausted. With the free and cordial Filipino hospitality, the priest had taken him in, without asking indiscreet questions, and as news of the events in Manila had not yet reached his ears he was unable to understand the situation clearly. The only conjecture that occurred to him was that the General, the jeweler’s friend and protector, being gone, probably his enemies, the victims of wrong and abuse, were now rising and calling for vengeance, and that the acting Governor was pursuing him to make him disgorge the wealth he had accumulated—hence his flight. But whence came his wounds? Had he tried to commit suicide? Were they the result of personal revenge? Or were they merely caused by an accident, as Simoun claimed? Had they been received in escaping from the force that was pursuing him?
This last conjecture was the one that seemed to have the greatest appearance of probability, being further strengthened by the telegram received and Simoun’s decided unwillingness from the start to be treated by the doctor from the capital. The jeweler submitted only to the ministrations of Don Tiburcio, and even to them with marked distrust. In this situation Padre Florentino was asking himself what line of conduct he should pursue when the Civil Guard came to arrest Simoun. His condition would not permit his removal, much less a long journey—but the telegram said alive or dead.
Padre Florentine ceased playing and approached the window to gaze out at the sea, whose desolate surface was without a ship, without a sail—it gave him no suggestion. A solitary islet outlined in the distance spoke only of solitude and made the space more lonely. Infinity is at times despairingly mute.
The old man was trying to analyze the sad and ironical smile with which Simoun had received the news that he was to be arrested. What did that smile mean? And that other smile, still sadder and more ironical, with which he received the news that they would not come before eight at night? What did all this mystery signify? Why did Simoun refuse to hide? There came into his mind the celebrated saying of St. John Chrysostom when he was defending the eunuch Eutropius: “Never was a better time than this to say—Vanity of vanities and all is vanity!”
Yes, that Simoun, so rich, so powerful, so feared a week ago, and now more unfortunate than Eutropius, was seeking refuge, not at the altars of a church, but in the miserable house of a poor native priest, hidden in the forest, on the solitary seashore! Vanity of vanities and all is vanity! That man would within a few hours be a prisoner, dragged from the bed where he lay, without respect for his condition, without consideration for his wounds—dead or alive his enemies demanded him! How could he save him? Where could he find the moving accents of the bishop of Constantinople? What weight would his weak words have, the words of a native priest, whose own humiliation this same Simoun had in his better days seemed to applaud and encourage?
But Padre Florentine no longer recalled the indifferent reception that two months before the jeweler had accorded to him when he had tried to interest him in favor of Isagani, then a prisoner on account of his imprudent chivalry; he forgot the activity Simoun had displayed in urging Paulita’s marriage, which had plunged Isagani into the fearful misanthropy that was worrying his uncle. He forgot all these things and thought only of the sick man’s plight and his own obligations as a host, until his senses reeled. Where must he hide him to avoid his falling into the clutches of the authorities? But the person chiefly concerned was not worrying, he was smiling.
While he was pondering over these things, the old man was approached by a servant who said that the sick man wished to speak with him, so he went into the next room, a clean and well-ventilated apartment with a floor of wide boards smoothed and polished, and simply furnished with big, heavy armchairs of ancient design, without varnish or paint. At one end there was a large kamagon bed with its four posts to support the canopy, and beside it a table covered with bottles, lint, and bandages. A praying-desk at the feet of a Christ and a scanty library led to the suspicion that it was the priest’s own bedroom, given up to his guest according to the Filipino custom of offering to the stranger the best table, the best room, and the best bed in the house. Upon seeing the windows opened wide to admit freely the healthful sea-breeze and the echoes of its eternal lament, no one in the Philippines would have said that a sick person was to be found there, since it is the custom to close all the windows and stop up all the cracks just as soon as any one catches a cold or gets an insignificant headache.
Padre Florentine looked toward the bed and was astonished to see that the sick man’s face had lost its tranquil and ironical expression. Hidden grief seemed to knit his brows, anxiety was depicted in his looks, his lips were curled in a smile of pain.
“Are you suffering, Señor Simoun?” asked the priest solicitously, going to his side.
“Some! But in a little while I shall cease to suffer,” he replied with a shake of his head.
Padre Florentine clasped his hands in fright, suspecting that he understood the terrible truth. “My God, what have you done? What have you taken?” He reached toward the bottles.
“It’s useless now! There’s no remedy at all!” answered Simoun with a pained smile. “What did you expect me to do? Before the clock strikes eight—alive or dead—dead, yes, but alive, no!”
“My God, what have you done?”
“Be calm!” urged the sick man with a wave of his hand. “What’s done is done. I must not fall into anybody’s hands—my secret would be torn from me. Don’t get excited, don’t lose your head, it’s useless! Listen—the night is coming on and there’s no time to be lost. I must tell you my secret, and intrust to you my last request, I must lay my life open before you. At the supreme moment I want to lighten myself of a load, I want to clear up a doubt of mine. You who believe so firmly in God—I want you to tell me if there is a God!”
“But an antidote, Señor Simoun! I have ether, chloroform—”
The priest began to search for a flask, until Simoun cried impatiently, “Useless, it’s useless! Don’t waste time! I’ll go away with my secret!”
The bewildered priest fell down at his desk and prayed at the feet of the Christ, hiding his face in his hands. Then he arose serious and grave, as if he had received from his God all the force, all the dignity, all the authority of the Judge of consciences. Moving a chair to the head of the bed he prepared to listen.
At the first words Simoun murmured, when he told his real name, the old priest started back and gazed at him in terror, whereat the sick man smiled bitterly. Taken by surprise, the priest was not master of himself, but he soon recovered, and covering his face with a handkerchief again bent over to listen.
Simoun related his sorrowful story: how, thirteen years before, he had returned from Europe filled with hopes and smiling illusions, having come back to marry a girl whom he loved, disposed to do good and forgive all who had wronged him, just so they would let him live in peace. But it was not so. A mysterious hand involved him in the confusion of an uprising planned by his enemies. Name, fortune, love, future, liberty, all were lost, and he escaped only through the heroism of a friend. Then he swore vengeance. With the wealth of his family, which had been buried in a wood, he had fled, had gone to foreign lands and engaged in trade. He took part in the war in Cuba, aiding first one side and then another, but always profiting. There he made the acquaintance of the General, then a major, whose good-will he won first by loans of money, and afterwards he made a friend of him by the knowledge of criminal secrets. With his money he had been able to secure the General’s appointment and, once in the Philippines, he had used him as a blind tool and incited him to all kinds of injustice, availing himself of his insatiable lust for gold.
The confession was long and tedious, but during the whole of it the confessor made no further sign of surprise and rarely interrupted the sick man. It was night when Padre Florentino, wiping the perspiration from his face, arose and began to meditate. Mysterious darkness flooded the room, so that the moonbeams entering through the window filled it with vague lights and vaporous reflections.