Chapter 1

Hitherto, most venerable and courteous reader, have I shown thee the administration of the valorous Stuyvesant, under the mild moonshine of peace, or rather the grim tranquillity of awful expectation; but now the war-drum rumbles from afar, the brazen trumpet brays its thrilling note, and the rude clash of hostile arms speaks fearful prophecies of coming troubles. The gallant warrior starts from soft repose—from golden visions and voluptuous ease; where, in the dulcet “piping time of peace,” he sought sweet solace after all his toils. No more in Beauty’s siren lap reclined he weaves fair garlands for his lady’s brows; no more entwines with flowers his shining sword nor through the livelong lazy summer’s day chants forth his love-sick soul in madrigals. To manhood roused, he spurns the amorous flute, doffs from his brawny back the robe of peace, and clothes his pampered limbs in panoply of steel. O’er his dark brow, where late the myrtle waved, where wanton roses breathed enervate love, he rears the beaming casque and nodding plume; grasps the bright shield, and shakes the ponderous lance; or mounts with eager pride his fiery steed, and burns for deeds of glorious chivalry.

But soft, worthy reader! I would not have you imagine that any preux chevalier, thus hideously begirt with iron, existed in the city of New Amsterdam. This is but a lofty and gigantic mode, in which we heroic writers always talk of war, thereby to give it a noble and imposing aspect; equipping our warriors with bucklers, helms, and lances, and such-like outlandish and obsolete weapons, the like of which perchance they had never seen or heard of; in the same manner that a cunning statuary arrays a modern general or an admiral in the accoutrements of a Cæsar or an Alexander. The simple truth, then, of all this oratorical flourish is this: that the valiant Peter Stuyvesant all of a sudden found it necessary to scour his rusty blade, which too long had rusted in its scabbard, and prepare himself to undergo those hardy toils of war, in which his mighty soul so much delighted.

Methinks I at this moment behold him in my imagination; or rather, I behold his goodly portrait, which still hangs in the family mansion of the Stuyvesants, arrayed in all the terrors of a true Dutch general. His regimental coat of German blue, gorgeously decorated with a goodly show of large brass buttons, reaching from his waistband to his chin; the voluminous skirts turned up at the corners, and separating gallantly behind, so as to display the seat of a sumptuous pair of brimstone-colored trunk-breeches, a graceful style still prevalent among the warriors of our day, and which is in conformity to the custom of ancient heroes, who scorned to defend themselves in rear. His face, rendered exceeding terrible and warlike by a pair of black mustachios; his hair strutting out on each side in stiffly pomatumed ear-locks, and descending in a rat-tail queue below his waist; a shining stock of black leather supporting his chin, and a little but fierce cocked hat, stuck with a gallant and fiery air over his left eye. Such was the chivalric port of Peter the Headstrong; and when he made a sudden halt, planted himself firmly on his solid supporter, with his wooden leg inlaid with silver a little in advance, in order to strengthen his position, his right hand grasping a gold-headed cane, his left resting upon the pummel of his sword, his head dressing spiritedly to the right, with a most appalling and hard-favored frown upon his brow, he presented altogether one of the most commanding, bitter-looking, and soldier-like figures that ever strutted upon canvas. Proceed we now to inquire the cause of this warlike preparation.