Dawn - Cover

Dawn

Copyright© 2024 by Eleanor H. Porter

Chapter 19: A Matter of Letters

Susan said afterward, in speaking of that spring, that “‘twas nothin’ but jest one serious of letters.” And, indeed, life did seem to be mostly made up of letters.

At the sanatorium Keith was waiting for spring and the new doctor; and that the waiting was proving to be a little nerve-racking was proved by the infrequency of his letters home, and the shortness and uncommunicativeness of such as did come.

Letters to him from Hinsdale were longer and were invariably bright and cheery. Yet they did not really tell so much, after all. To be sure, they did contain frequent reference to “your Miss Stewart,” and gave carefully casual accounts of what she did and said. In the very first letter Susan had hit upon the idea of always referring to the young lady as “your Miss Stewart.”

“Then we won’t be tellin’ no lies,” she had explained to Mr. Burton, ‘“cause she IS his ‘Miss Stewart.’ See? She certainly don’t belong to no one else under that name—that’s sure!”

But however communicative as regards “Miss Stewart” the letters were, they were very far from that as regarded some other matters. For instance: neither in Daniel Burton’s letters, nor in Susan’s, was there any reference to the new clerk in McGuire’s grocery store. So far as anything that Keith knew to the contrary, his father was still painting unsalable pictures in the Burton home-stead studio.

But even these were not all the letters that spring. There were the letters of John McGuire from far-away France—really wonderful letters—letters that brought to the little New England town the very breath of the battle-field itself, the smell of its smoke, the shrieks of its shells. And with Mr. Burton, with Susan, with the whole neighborhood indeed, Mrs. McGuire shared them. They were even printed occasionally in the town’s weekly newspaper. And they were talked of everywhere, day in and day out. No wonder, then, that, to Susan, the spring seemed but a “serious of letters.”

It was in May that the great Paris doctor was expected; but late in April came a letter from Dr. Stewart saying that, owing to war conditions, the doctor had been delayed. He would not reach this country now until July—which meant two more months of weary waiting for Keith and for Keith’s friends at home.

It was just here that Susan’s patience snapped.

“When you get yourself screwed up to stand jest so much, an’ then they come along with jest a little more, somethin’s got to break, I tell you. Well, I’ve broke.”

Whether as a result of the “break” or not, Susan did not say, neither did she mention whether it was to assuage her own grief or to alleviate Keith’s; but whatever it was, Susan wrote these verses and sent them to Keith:

BY THE DAY

When our back is nigh to breakin’,
An’ our strength is nearly gone,
An’ along there comes the layin’
Of another burden on—
If we’ll only jest remember,
No matter what’s to pay,
That ‘tisn’t yet December,
An’ we’re livin’ by the day.
‘Most any one can stand it—
What jest TO-DAY has brought.
It’s when we try to lump it,
An’ take it by the lot!
Why, any back would double,
An’ any legs’ll bend,
If we pile on all the trouble
Meant to last us till the end!
So if we’ll jest remember,
Half the woe from life we’ll rob
If we’ll only take it “by the day,”
An’ not live it “by the job.”
“Of course that ‘‘tisn’t yet December’ is poem license, and hain’t really got much sense to it,” wrote Susan in the letter she sent with the verses. “I put it in mostly to rhyme with ‘remember.’ (There simply wasn’t a thing to rhyme with that word!) But, do you know, after I got it down I saw it really could mean somethin’, after all—kind of diabolical-like for the end of life, you know, like December is the end of the year.

“Well, anyhow, they done me lots of good, them verses did, an’ I hope they will you.”

 
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