Miss Mink's Soldier and Other Stories - Cover

Miss Mink's Soldier and Other Stories

Copyright© 2024 by Alice Caldwell Hegan Rice

The Wild Oats Of A Spinster

Judging from appearances Miss Lucinda Perkins was justifying her reason for being by conforming absolutely to her environment. She apparently fitted as perfectly into her little niche in the Locustwood Seminary for young ladies as Miss Joe Hill fitted into hers. The only difference was that Miss Joe Hill did not confine herself to a niche; she filled the seminary, as a plump hand does a tight glove.

It was the year after Miss Lucinda had come to the seminary to teach elocution that Miss Joe Hill discovered in her an affinity. As principal, Miss Joe Hill’s word was never questioned, and Miss Lucinda, with pleased obedience, accepted the honor that was thrust upon her, and meekly moved her few belongings into Miss Joe Hill’s apartment.

For four years they had lived in the rarified atmosphere of celestial friendship. They clothed their bodies in the same raiment, and their minds in the same thoughts, and when one was cold the other shivered.

If Miss Lucinda, in those early days found it difficult to live up to Miss Joe Hill’s transcendental code she gave no sign of it. She laid aside her mildly adorned garments and enveloped her small angular person in a garb of sombre severity. Even the modest bird that adorned her hat was replaced by an uncompromising band. She foreswore meat and became a vegetarian. She stopped reading novels and devoted her spare time to essays and biography. In fact she and Miss Joe Hill became one and that one was Miss Joe Hill.

It was not until Floss Speckert entered the senior class at Locustwood Seminary that this sublimated friendship suffered a jar.

Floss’s father lived in Chicago, and it was due to his unerring discernment in the buying and selling of live stock that Floss was being “finished” in all branches without regard to the cost.

“Learn her all you want to,” he said magnanimously to Miss Lucinda, who negotiated the arrangement. “I ain’t got but two children, her and Tom. He’s just like me—don’t know a blame thing but business; but Floss—” his bosom swelled under his checked vest—”she’s on to it all. I pay for everything you get into her head. Dancin’, singin’, French—all them extries goes.”

Miss Lucinda had consequently undertaken the management of Floss Speckert, and the result had been far-reaching in its consequences.

Floss was a person whose thoughts did not dwell upon the highest development of the spiritual life. Her mind was given over to the pursuit of worldly amusements, her only serious thought being a burning ambition to win histrionic honors. The road to this led naturally through the elocution classes, and Floss accepted Miss Lucinda as the only means toward the desired end.

A drop of water in a bottle of ink produces no visible result, but a drop of ink in a glass of water contaminates it at once. Miss Lucinda took increasing interest in her frivolous young pupil; she listened with half-suppressed eagerness to unlimited gossip about stage-land, and even sank to the regular perusal of certain bold theatrical papers. She was unmistakably becoming contaminated.

Meanwhile Miss Joe Hill, quite blind to the situation, condoned the friendship. “You are developing your own character,” she told Miss Lucinda. “You are exercising self-control and forbearance in dealing with that crude, undisciplined girl. Florence is the natural outcome of common stock and newly acquired riches. It is your noble aspiration to take this vulgar clay and mold it into something higher. Your motive is laudable, Lucinda; your self-sacrifice in giving up our evening hour together is heroic. I read you like an open book, dear.”

And Miss Lucinda listened and trembled. They were standing together before the window of their rigid little sitting room, the chastened severity of which banished all ideas of comfort. “What purpose do you serve?” Miss Joe Hill demanded of every article that went into her apartment, and many of the comforts of life failed to pass the examination.

After Miss Joe Hill had gone out, Miss Lucinda remained at the window and restlessly tapped her knuckles against the sill. The insidious spring sunshine, the laughter of the girls in the court below, the foolish happy birds telling their secrets under the new, green leaves, all worked together to disturb her peace of mind.

She resolutely turned her back to the window and took breathing exercises. That was one of Miss Joe Hill’s sternest requirements—fifteen minutes three times a day and two pints of water between meals. Then she sat down in a straight-back chair and tried to read “The Power Through Poise.” Her body was doing its duty, but it did not deceive her mind. She knew that she was living a life of black deception; evidences of her guilt were on every hand. Behind the books on her little shelf was a paper of chocolate creams; in the music rack, back to back with Grieg and Brahms, was an impertinent sheet of ragtime which Floss had persuaded her to learn as an accompaniment. And deeper and darker and falser than all was a plan which had been fermenting in her mind for days.

In a fortnight the school term would be over. Following the usual custom, Miss Lucinda was to go to her brother in the country and Miss Joe Hill to her sister for a week. This obligation to their respective families being discharged, they would repair to the seclusion of a Catskill farmhouse, there to hang upon each other’s souls for the rest of the summer.

Miss Lucinda’s visits to her brother were reminiscent of a multiplicity of children and a scarcity of room. To her the Inferno presented no more disquieting prospect than the necessity of sharing her bedroom. She always returned from these sojourns in the country with impaired digestion, and shattered nerves. She looked forward to them with dread and looked back on them with horror. Was it any wonder that when a brilliant alternative presented itself she was eager to accept it?

Floss Speckert had gained her father’s consent to spend her first week out of school in New York provided she could find a suitable chaperon. She had fallen upon the first and most harmless person in sight and besieged her with entreaties.

Miss Lucinda would have flared to the project had not a forbidding presence loomed between her and the alluring invitation. She knew only too well that Miss Joe Hill would never countenance the proposition.

As she sat trying vainly to concentrate on her “Power Through Poise,” she was startled by a noise at the window, followed immediately by a dishevelled figure that scrambled laughingly over the sill.

“I came down the fire escape!” whispered the invader breathlessly, “Miss Joe Hill caught us making fudge in the linen closet, and I gave her the slip.”

“But Florence!” Miss Lucinda began reproachfully, but Floss interrupted her:

“Don’t ‘Florence’ me, Miss Lucy! You’re just pretending to be mad anyhow. You are a perfect darling and Miss Joe Hill is an old bear!”

Miss Lucinda was aghast at this irreverence but her halting protests had no effect on the torrent of Floss’s eloquence.

“I am going to take you to New York,” the girl declared “and I am going to give you the time of your life! Dad’s got to put us up in style—a room and a bath apiece and maybe a sitting room. He likes me to splurge around a bit, says he’d hate to have a daughter that acted like she wasn’t used to money.”

Miss Lucinda glanced apprehensively at the door and then back at the sparkling face before her.

“I can’t go,” she insisted miserably, trying to free her hand from Floss’s plump grasp. “My brother is expecting me and Miss Hill—”

“Oh, bother Miss Joe Hill! You don’t have to tell her anything about it! You can pretend you are going to your brother’s and meet me some place on the road instead.”

Miss Lucinda looked horrified, but she listened. A material kept plastic by years of manipulation does not harden to a new hand. Her objections to Floss’s plan grew fainter and fainter.

“Think of the theaters,” went on the temptress, putting an arm around her neck, and ignoring the fact that caresses embarrassed Miss Lucinda almost to the point of tears; “think of it! A new show every night, and operas and pictures. There will be three Shakspere plays that week, ‘Merchant of Venice,’ ‘Twelfth Night,’ and ‘Hamlet.’”

Miss Lucinda’s heart fluttered in her bosom. Although she had spent a great part of her life interpreting the Bard of Avon, she had never seen one of his plays produced. In her secret soul she believed that her own rendition of “The quality of mercy,” was not to be excelled.

“I—I haven’t any clothes,” she urged feebly, putting up her last defense.

“I have,” declared Floss in triumph—”two trunks full, and we are almost the same size. It’s just for a week, Miss Lucy; won’t you come?”

Miss Lucinda, sitting rigid, felt a warm cheek pressed against her own, and a stray curl touched her lips. She sat for a moment with her eyes closed. It was more than disconcerting to be so close to youth and joy and life; it was infectious. The blood surged suddenly through her veins, and an exultation seized her.

“I’m going to do it,” she cried recklessly; “I never had a real good time in my life.”

Floss threw her arms about her and waltzed her across the room, but a step in the hall brought them to a halt.

“It’s Miss Joe Hill,” whispered Floss, with trepidation; “I am going out the way I came. Don’t you forget; you have promised.”

When Miss Joe Hill entered, she smiled complacently at finding Miss Lucinda in the straight-back chair, absorbed in the second volume of the “Power Through Poise.”

At the Union Depot in Chicago, two weeks later, a small, nervous lady fluttered uncertainly from one door to another. She wore a short, brown coat suit of classic severity, and a felt hat which was fastened under her smoothly braided hair by a narrow elastic band.

On her fourth trip to the main entrance she stopped a train-boy. “Can you tell me where I can get a drink?” she asked, fanning her flushed face. He looked surprised. “Third door to the left,” he answered. Miss Lucinda, carrying a hand-bag, a suit-case, and an umbrella, followed directions. When she pushed open the heavy door she was confronted by a long counter with shining glasses and a smiling bartender. Beating a confused retreat, she fled back to the main entrance, and stood there trembling. For the hundredth time that day she wished she had not come.

The arrangements, so glibly planned by Floss, had not been adhered to in any particular. At the last moment that mercurial young person had decided to go on two days in advance and visit a friend in Philadelphia. She wrote Miss Lucinda to come on to Chicago, where Tom would meet her and give her her ticket, and that she would meet her in New York.

With many misgivings and grievous twinges of conscience, Miss Lucinda had bade Miss Joe Hill a guilty farewell, and started ostensibly for her brother’s home. At the Junction she changed cars for Chicago, missed two connections, and lost her lunch-box. Now that she had arrived In Chicago, three hours late, nervous and excited over her experiences, there was no one to meet her.

A sense of homesickness rushed over her, and she decided to return to Locustwood. It was the same motive that might prompt a newly hatched chicken, embarrassed by its sudden liberty, to return to its shell. Just as she was going in search of a time-table, a round-faced young man came up.

“Miss Perkins?” he asked, and when she nodded, he went on: “Been looking for you for half an hour. Sis told me what you looked like, but I couldn’t find you.” He failed to observe that Floss’s comparison had been a squirrel.

“Isn’t it nearly time to start?” asked Miss Lucinda, nervously.

“Just five minutes; but I want to explain something to you first.” He looked through the papers in his pocket and selected one. “This is a pass,” he explained; “the governor can get them over this road. I got there late, so I could only get one that had been made out for somebody else and not been used. It’s all right, you know; you won’t have a bit of trouble.”

Miss Lucinda took the bit of paper, put on her glasses, and read, “Mrs. Lura Doring.”

“Yes,” said Tom; “that’s the lady it was made out for. Nine chances out of ten they won’t mention it; but if anything comes up, you just say yes, you are Mrs. Doring, and it will be all right.”

“But,” protested Miss Lucinda, ready to weep, “I cannot tell a falsehood.”

“I don’t think you’ll have to,” said Tom, somewhat impatiently; “but if you deny it, you’ll get us both into no end of a scrape. Hello! there’s the call for your train. I’ll bring your bag.”

In the confusion of getting settled in her section, and of expressing her gratitude to Tom, Miss Lucinda forgot for the time the deadly weight of guilt that rested upon her. It was not until the conductor called for her ticket that her heart grew cold, and a look of consternation swept over her face. It seemed to her that he eyed the pass suspiciously and when he did not return it a terror seized her. She knew he was coming back to ask her name, and what was her name? Mrs. Dora Luring, or Mrs. Dura Loring, or Mrs. Lura Doring?

In despair she fled to the dressing room and stood there concealed by the curtains. In a few moments the conductor passed, and she peeped at his retreating figure. He stopped in the narrow passage by the window and studied her pass, then he compared it with a telegram which he held in his hand. Just then the porter joined him, and she flattened herself against the wall and held her breath.

 
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